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A packed Louisville crowd applauds two Time Slip Theatre performers standing on a runway stage beneath a cluster of pink and purple disco balls.

Time Slip Theatre Opens 13th Year of ‘Rocky Horror’ With a Witchy Twist

Time Slip Theatre, a 501(c)(3) theatre company best known for its productions of “The Rocky Horror Show,” opens its 13th annual production Oct. 16-31 at PLAY Louisville. For year 13, the company is putting a spooky, witch-inspired spin on the “Rocky” fans know and love.

The naive Brad and Janet descend on a journey of exploration and liberation at the castle of Dr. Frank N Furter in this irreverent show, known for its hysterical send-up of 1950s sci-fi B-movies as well as its unapologetic celebration of individuality and being true to yourself. Time Slip Theatre’s production of the timeless cult classic is a full-scale performance with live actors, not a movie screening, and includes all the hits and one-liners “Rocky” fans have come to expect.

Directed by Remy Sisk, the show runs Oct. 16-31 at PLAY Louisville, 1011 E. Washington Street. Single general admission tickets are $15 and tables of four are $75. Tickets and tables are available at timesliptheatre.org. The show stars drag queen May O’Nays as Dr. Frank N Furter and features Fairness Campaign Director Chris Hartman as the Narrator Oct. 16, 29, 30 and 31. Celebrated visual artist and muralist Wylie Caudill will take on the Narrator Oct. 23 and 24.

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“I’m thrilled to have the privilege of opening year 13 of our production of ‘Rocky Horror,’” said Time Slip Theatre Artistic Director and director of “Rocky Horror” Remy Sisk. “It’s an honor to be able to uphold the ‘Rocky’ legacy here in Louisville, and we have a few spooky surprises planned for lucky number 13!”

In addition to the live show, Time Slip is performing shadow casts throughout October. These are events where the film “Rocky Horror Picture Show” is played and Time Slip’s troupe acts out the scenes in front of the screen. The remaining shadow cast dates are Oct. 22 at Time Slip Theatre and Oct. 28 at The Last Refuge.

As Louisville’s resident “Rocky” troupe, the company has performed at a multitude of events throughout the years. In the past, the company has performed its shadow cast and live selections for stars of the original film Barry Bostwick, Patricia Quinn and “Little” Nell Campbell. Time Slip also tours the show to PLAY’s Nashville location ahead of opening in Louisville.

Related: Time Slip Theatre Opens 12th Year of ‘The Rocky Horror Show’

Related: Time Slip Theatre Opens New Series WIth Horror Comedy ‘Who Invited Them’

Time Slip Theatre is a 501(c)(3) nonprofit with a mission to enhance the cultural landscape of Louisville while increasing arts education accessibility to students.

Fans can stay up to date by following Time Slip Theatre on social media and @rockyhorrorlouisville on Instagram.

This announcement was provided by Time Slip Theatre.

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A drag performer in a sequined black gown raises their arms on stage in front of the 2026 Louisville Pride Festival sign reading "Emboldened, Empowered."

Louisville Pride Put Mental Health Front and Center. The Need Doesn’t End When the Tents Come Down.

Queens took the stage. Artists sold their colorful wares. Vendors of all kinds passed out pamphlets. Louisville Pride returned this year, with queers from all walks of life bustling through a blocked-off section of Bardstown Road on Saturday, September 12.

Louisville Pride Foundation, which also runs the Louisville Pride Center in Old Louisville, organized the event.

National acts performed near tables of local organizations ranging from healthcare organizations, such as Planned Parenthood, to political organizations.

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Among those who participated were organizations helping LGBTQ+ people with their mental health or pointing them in the direction of mental health services.

According to the 2025 Queer Kentucky Community Health Survey, roughly 7 in 10 LGBTQ+ Kentuckians have had negative experiences with their mental health due to the current political environment, such as debates around LGBTQ+ rights.

Of queer Louisvillians who responded to the survey, about 32% attributed thoughts of suicide to policy debates around LGBTQ+ people. In fact, the number is 3.9% above the state average. Because of these debates, 8.1% of respondents said they left Kentucky because of it. The survey also found that trans women reported higher rates of suicidal ideation.

Louisville has more queer services than most of Kentucky, but Queer Kentucky’s data suggests they may not be enough because there are also high levels of health risks in the community.

Related: Louisville Pride Festival Is Back with “Empowered, Emboldened: Pride In The Face of Opposition” Theme

Related: Louisville Advocate Dr. Bobbie Glass Joins The Trevor Project’s Sharing Space Mental Health Series

Mandala House Provides Mental Healthcare to Queer Louisville

One featured booth at Louisville Pride was Mandala House, which provides mental healthcare to the community of Louisville. Mandala House has several therapy groups that address the psychological health of minority groups and their various intersectional needs.

“It’s a special place in our hearts, the work we get to do with queer people,” said Mandala House therapist Rachel Archer.

Archer said Mandala House currently runs a variety of therapy groups, such as an adult gender-journey group for individuals 18+ who are questioning their gender or who identify as trans or gender non-conforming. The space provides communal support for one another.

Archer noted that she couldn’t say that the lack of queer-specific spaces as a barrier to queer healthcare’s accessibility was unique to Louisville alone.

Mandala House also provides support letters for trans individuals seeking gender-affirming care, which is often required by providers and insurance companies. For many queer Kentuckians, finding a provider for their healthcare can be a challenge. According to the 2025 Queer Kentucky Community Health Survey, while Louisville has better healthcare access than most of the state for LGBTQ+ Kentuckians, provider refusal still happens.

Related: Barriers, burnout, and resistance: Trans Kentuckians and the fight for healthcare

Related: Cain Culto Was Sent to Conversion Therapy. He Came Out a Pop Star.

Kentucky Psychological Foundation: Evidence-Based Connections

Among the vendors, the Kentucky Psychological Foundation was doing outreach. The organization focuses on bringing free mental health resources across Kentucky. It also supports researchers and graduate students with funds to conduct research with marginalized communities.

“We know there is a lot of specifically psychological information that is based in science and research…out there, but it’s not always easily accessible in the community,” board member Dr. Courtney Keim told Queer Kentucky.

“What we really focus on is educating the public about the science in ways that can better the lives of Kentuckians,” Keim said.

The Kentucky Psychological Foundation doesn’t provide mental healthcare, but its sister organization, the Kentucky Psychological Association, is the state professional association for psychologists, whose members provide care.

The Kentucky Psychological Foundation’s site provides a link to a database of members of the Kentucky Psychological Association that are using evidence-based research and follow the American Psychological Association’s guidelines and ethics. This can help address the needs of marginalized communities to find competent care.

“Our foundation is going to provide things based in evidence and research. We are very much against therapies that are not evidence-based. So for example, conversion therapy is not evidence-based. We don’t support that. We only provide evidence-based and culturally competent therapists that understand the marginalized communities they are serving,” said Keim.

So-called “conversion therapy” is a discredited practice and is referred to by the American Psychological Association as attempting “to change a person’s sexual orientation, gender identity, or related behaviors” with practices that “stem from the scientifically discredited belief that being LGBTQ+ is a mental illness that should be cured.” The organization says it causes a significant risk of self-harm, depression, and substance use.

The topic of ‘conversion therapy’ has been a battleground issue statewide between Democratic Governor Andy Beshear and the Republican dominated state legislature when Beshear tried to restrict the harmful practice, but Republicans overturned his attempt.

“A lot of times it is because people who are getting that ‘therapy’ don’t feel that person providing that therapy truly understands them,” said Keim. “One of the things that has been important in psychology is those cultural competencies and making sure those folks who are marginalized find someone who truly sees them.”

At the end of the day, the booths came down. The tents emptied. As the night wound down, a queen took the main stage to perform Dolly Parton’s “I Will Always Love You,” and Louisville Pride ended the way it began, with queens and with community.

If you or someone you know is in crisis, The Trevor Project’s counselors are available 24/7 at 1-866-488-7386, by texting START to 678-678, or by chat at thetrevorproject.org/get-help.

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HIV self testing kits sitting on a ledge.

Federal Cuts “Handcuffed” BIPOC Harm Reduction in Kentucky. Communities Are Stepping Up.

In April, the Substance Abuse and Mental Health Services Administration (SAMHSA) released a letter notifying funding recipients that the agency is taking a “clear shift away from harm reduction,” including eliminating funding for fentanyl testing strips, clean syringes and needles, and “overdose hotlines.”

Harm reduction at its core is “a set of practical strategies and ideas aimed at reducing negative consequences associated with drug use,” according to the National Harm Reduction Coalition. The organization further details that some of those strategies could include the safer use, managed use, abstinence, meeting people who use drugs “where they’re at,” and addressing conditions of use along with the use itself.

SAMHSA’s decision has had immediate and life-threatening consequences for Kentucky organizations doing the work to close critical gaps in care for those in need, including for marginalized people.

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“When they put this letter out there, they literally just handcuffed a lot of people,” said Shreeta Waldon, executive director of the Kentucky Harm Reduction Coalition (KyHRC), a Louisville-based nonprofit that works to reduce substance use disorder overdoses and deaths.

The letter cited a White House executive order from July 2025 to justify the policy changes. The order, “Ending Crime And Disorder On America’s Streets,” details those changes among a list of other line items including homelessness and crime. “Do not fund programs that fail to achieve adequate outcomes, including so-called ‘harm reduction’ or ‘safe consumption’ efforts,” the order reads.

It describes such strategies like harm reduction as ineffective; however, harm reduction is actually an evidence-backed practice that has been backed by scientific research.

Related: Navigating the In-Between: Ryan Jones discusses the critical importance of the Kentucky Harm Reduction Coalition

Related: Space for Liberation: Community, Policy, and Harm Reduction in Kentucky

What Kentucky Lost When SAMHSA Cut Harm Reduction Funding

These changes and attacks on harm reduction initiatives have hit the already limited ecosystem of harm reduction services built by and for Black and brown communities.

“SAMHSA award terms are now prohibiting federal grant funds from supporting several traditional harm reduction supplies, including syringes for illicit injection, safer smoking supplies, and fentanyl and other substance test strips,” Waldon explains. “That means that organizations are now navigating a much narrower definition of what federally funded harm reduction can include and not include.”

Recent research revealed that Trump’s elimination of federal funding for programs that provide syringe exchange and other harm reduction interventions will directly contribute to an increase in overdose deaths and non-fatal overdoses. Outcomes that Black and brown communities already feel more intensely.

KyHRC is one of the few groups in the state still delivering harm reduction care and resources for BIPOC communities, despite these concerning changes. In addition to new limitations, Waldon’s group immediately lost a $400,000 grant after the SAMHSA decision. However, instead of deferring programs or shortening their impact, the organization found new ways to deliver care to communities.

KyHRC began working with partners across the country to source harm reduction resources that they no longer could get from federal funding. Waldon mentioned that, among other groups, the Connecticut-based organization Reduce Harm Inc. has supported KyHRC with clean syringes, testing strips, and other supplies that are no longer accessible.

The redefinition of what the government will fund comes after a well-documented body of evidence pointing to harm reduction as a key strategy to prevent drug-related deaths. Studies show that fentanyl testing strips prevent overdoses, and research shows that providing clean syringes prevents the transfer of blood-borne diseases. A 2025 study including 67 communities, some of which were in Kentucky, found that when offered harm reduction strategies, those communities experienced a 15% reduction in non-fatal opioid overdoses and an estimated savings of $190,100 in healthcare spending per community.

Related: “It Could Be Me”: Art Scisney on Healing, Harm Reduction, and Humanity

Related: Navigating health care in an anti-fat and anti-Black world

Why Black Kentuckians Feel the Cuts Hardest

For Black communities in Kentucky, these new limitations are felt even more deeply than their neighbors. In 2023, the overall number of drug overdose deaths in Kentucky declined for the first time in years, while Black Kentuckians experienced an 8% rise in overdose deaths. Black Kentuckians continue to face worse health outcomes, less access to regular health care, and higher mortality rates compared to other groups. It is these realities that make harm reduction and community resources for Black and brown people all the more critical, according to the organizers delivering care despite greater obstacles.

“If you are trying to give me aid and help me based on the statistics that you have for white people, it’s not going to help me because it’s not made for me,” said Adria (AD) Shouse, a master barber at Well Groomed Barbershop Parlor.

Shouse is a barber with the African American Barbershop and Beauty Salon Initiative (BBSI), a public health program part of Project Ricochet, a nonprofit organization working to improve outcomes for minority youth in Lexington and beyond. BBSI transforms “relationship-rich environments” like barbershops and beauty salons into spaces where communities can get care and education related to diabetes, sexual health, mental health, drug use, and harm reduction.

“I’ve seen changed behavior in people that I’ve been cutting for years that have utilized resources through BBSI,” said Shouse.

BBSI provides community events based out of these safe spaces that bring care, including harm reduction resources, right to the communities who need it. This direct level of intervention is what Shouse says is missing in much of the conversation around BIPOC public health funding.

“The funding is different when it comes to people of color or minorities,” said Shouse. “They’re trying to keep certain communities and certain people in certain places because it works to their advantage.”

Shouse’s clients are predominantly Black men and young people, and in her work she fulfills a material need while offering support for other challenges.

Doulas Trained in Harm Reduction

It is that same model that other community leaders are implementing to provide support for Black pregnant people as well.

Granny’s Birth Initiative (GBI) is a nonprofit based in Louisville that supports Black parental health, partnering the care a pregnant person needs with the harm reduction resources they are unable to find elsewhere. That starts with training their doulas on harm reduction strategies, including trauma-informed care and Narcan usage.

“We make sure that our doulas are trained in that because doulas do provide resource navigation and it should always be non-judgmental support,” said doula Alexa Scisney, founder and executive director of GBI. “We want them to be well trained on not just keeping a straight face, but genuinely and truly understanding the type of resources that are needed.”

Black pregnant people are at least three times more likely to die due to a pregnancy-related condition, compared to their White counterparts. In Kentucky specifically, 82% of pregnancy-related deaths are deemed preventable. About 1 in 20 pregnant people use illicit drugs during pregnancy. This puts the work that GBI does as ground zero for public health progress and reducing harm.

“I know that doulas are an industry that is new to Kentucky, but a doula is somebody that’s supposed to be providing physical, mental, and emotional, non-judgmental support,” said Scisney. “And here at GBI, that non-judgment is something that we really highlight because it is not our job to do harm to people already seeking harm reduction resources. Our doors are always open.”

In addition to the SAMHSA decision, resources for harm reduction in Kentucky have been rocked by funding cuts and lack of consideration for how harm reduction impacts public health. In May, the University of Kentucky announced that it would formally end its HIV/AIDS prevention and treatment organization. The Target4 Project was part of this elimination, which provided HIV/AIDS intervention and services in addition to harm reduction supplies and targeted outreach.

Kentucky public health leaders say they will continue to step up in their communities, despite the new obstacles in front of them.

“Let us be the voice because we are the people who have experienced it. We’re the closest to it. We’re the closest because we live it every day,” said Waldon.

While the Trump administration and SAMHSA cut opportunities and funding, harm reductionists and community leaders continue to show up in new ways for their neighbors. While groups still hope for more permanent and sustainable funding, it is the promise of safer, stronger communities that pushes them forward, they said.

“For me, harm reduction has always been the radical decision to believe that every human being is worth keeping alive before they change, before they recover, before they become who somebody else thinks they should be,” said Waldon.

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Mercury Stardust leans over a wooden table with a toolkit, holding a hammer, and wearing an apron that say "HANDY MA'AM."

Homeownership Is Radical, Says Mercury Stardust. Her Book Tour Hits Louisville Oct. 8

As trans people continue to be the topic of political ads and legislative attacks, one author delivers a powerful account of how homeownership can be one of the community’s most powerful pathways to liberation, including right here in Kentucky.

“One of the most radical things that we can do is take up space,” said Mercury Stardust, an author, speaker, DIY educator, and content creator. “For trans people specifically, we minimize ourselves for our own safety. We try to make sure that when we go out, we’re always with friends, or we’re only going to places that have safe bathrooms. We almost try to take ourselves out of society for our own safety.”

In Stardust’s brand new book, “Lost and Found: A Compassionate Guide to Homeownership,” she challenges this minimization by demystifying the path to owning your own home.

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“Homeownership looks different for every single person,” said Stardust, also known to her millions of followers as the “Trans Handy Ma’am.” “And because people who are within the queer community, especially the trans community, might feel extra layers of marginalization, it can often feel like an impossibility to have a home of any kind. But homeownership is no longer the picket white fence with a two-acre yard and a dog named Lassie. Homeownership now looks different for everybody.”

From Repair Videos to a Homeownership Guide

In 2021, Stardust began her journey as a content creator focused on the support she wished was accessible to her. Stardust started making short-form videos primarily answering home maintenance questions from viewers who felt too afraid to ask these questions anywhere else, including women, trans people, and queer people. With over 15 years of experience in the maintenance field, Stardust’s compassionate guidance took off.

Stardust’s new project is a continuation of her 2023 New York Times bestseller, “Safe & Sound: A Renter-Friendly Guide to Home Repair.” The 2023 project was primarily focused on how renters can safely and autonomously accomplish home repair and renovations, while this second book is all about the process of owning your own place. According to Stardust, the books are designed for anyone who feels like they can’t find the support they need to feel safe in their home, for trans people, queer people, single moms, and countless other readers who are looking for more compassion in the rental or homeownership process.

Related: Creating Change 2027 Is Coming to Louisville. Here’s What to Know.

Related: Northern Kentucky groups tackle rising homelessness with innovative solutions

Mercury Stardust’s Louisville Book Tour Stop Is Oct. 8

Starting in mid-September, Stardust took to the road to promote her new book project in nine cities across the country. From Seattle to Atlanta to Salt Lake City, Stardust is meeting readers at libraries and local bookstores for conversations about how her new project can support a new generation of queer homeowners.

On Oct. 8, Stardust’s tour comes to the Northeast Regional Library in Louisville, Kentucky. Stardust made it clear that stopping in red and purple states like Kentucky was a priority. Bringing her story to places where trans people are forced to feel small is in part what keeps her writing.

“I think it’s important to bring this community that I developed around kindness and compassion to all places that I’m able to,” said Stardust. “Let’s go to places that aren’t traditionally friendly to the LGBTQ community, and let’s make sure that we uplift those communities because we almost exclusively do these tours with independent bookstores that are queer-focused. So if we’re able to connect people with their local communities through the bookstore and libraries, that’s building an infrastructure that can strengthen those communities.”

Related: S.G. Goodman Brings Her Kentucky Tour Home This Week

Related: Appalachian Poet Samantha Ratcliffe Uses Words to Reclaim Queer Identity in Kentucky

Stardust’s new book revolves around her own lived experience of purchasing a home and creating a space that felt like her own. In the book, she unpacks how readers can navigate the same process that she felt alone in, from offers to inspections to renovations, and closing. Stardust hopes readers leave her writing feeling more prepared to build the futures that they deserve.

“My message to people who are like, ‘that can never be me,’ is to redefine and reexamine what homeownership might look like in the 21st century,” said Stardust. “As someone who never thought that she would see herself being a homeowner until just a couple of years ago because of my first book. You just really never know. And if an opportunity lands in your lap, I hope you’re ready for it.”

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A Whiskey Row Walking Tour sandwich board sign on a brick sidewalk in downtown Louisville as a man in a sun hat walks past.

Whiskey Row Walking Tour: Louisville Native Drew Shryock Shares Bourbon, History, and Pride

Whiskey Row Walking Tour founder and owner Drew Shryock is a lifelong Louisvillian, a proud gay man, and a bourbon lover. He also considers himself a community builder, especially after spending 22 years working for Louisville’s Economic Development Department. Now retired, Shryock knows his city inside and out.

Shryock leads tourists through the city’s historic Main Street, celebrating the culture, the people, and the places that make Louisville unlike anywhere else in the country — or the Commonwealth. He’ll also tell you, with a grin, that Kentucky makes about 95 percent of the world’s bourbon.

“There are a few other states that make the other 5%, but we call that artificial bourbon,” he says, “because we make the real thing here in Kentucky.”

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Culturally and fiscally, bourbon is a staple for the Bluegrass state, as Kentucky Bourbon remains a key and substantial contributor to the state’s economy, with a $10.6 billion industry supporting nearly 24,000 jobs. Personally, for Shryock, his love of the craft started from a young age. He fondly remembers Sunday family dinners with his mother and grandmother, who sipped highball cocktails while preparing the meal.

“One time I asked my mom, ‘Can I have a sip of that?’ She said, ‘Yes, you can have a little sip.’ And that was my first exposure to bourbon. And I fell in love with it. I hate to say that, but I did,” he tells Queer Kentucky.

He believes he came by his now-matured love of the spirit naturally.

“If you’re born in Kentucky, bourbon’s basically in your blood. It really is,” he says.

Related: Old Forester’s Melissa Rift Took the Long Way to Master Taster, and Found Belonging in Bourbon

Related: The Kentucky Hug: Eddie Fieldhouse’s Vision for Bourbon Tourism

How the Whiskey Row Walking Tour Started

After leaving the workforce, Shryock took time off to recover from his 9-5 days. After about 6 months, he started helping out as a driver for visitors on the Kentucky Bourbon Trail. He enjoyed meeting folks from all over and hearing their stories, but he also found that distillery visits weren’t always a guarantee.

“People would say things like, ‘We tried to get into such-and-such distillery downtown, but it was full, and we couldn’t get in. We tried to go to this distillery, and it was full.’ So, I kept thinking: there’s got to be an [easier] way I can take people into these distilleries,” he says.

So, he tried something new.

“I met with several distilleries individually. I basically cold-called them. I explained who I was, my history with bourbon, my history with the city…and asked them if they would be interested in being part of my walking tour downtown. And that’s when I came up with the concept of the Whiskey Row Walking Tour in downtown Louisville,” Shryock says.

As his knowledge grew, so did his love of the craft.

“Going to the distilleries, meeting the people who work at the distilleries, and getting to know some of the master distillers at the same time…sparked my passion,” says Shryock.

Related: Where to Sip in NKY: Bourbon & Belonging Event Recap with the Midwestern Lesbian

Related: At the Forefront of Queer Inclusive Bourbon: Old Forester

What Happens on the Tour

The Whiskey Row Walking Tour has now been operating for more than four years. Intimate groups of up to twelve people gather at the Kentucky Bourbon Trail gift shop inside the Frazier Kentucky History Museum to start. From there, he leads the group on a two-hour stroll down Main Street – better known as Whiskey Row. Guests sip their way through some of the city’s most iconic pours, including tastings at Bardstown Bourbon Company and the Evan Williams Bourbon Experience, the first distillery back on Whiskey Row since before Prohibition.

He acts as a conductor of stops and stories along a theoretical railroad (or, just about six blocks or so) of distillery stops, allowing each business’s guide to take center stage during tours. He fills the in-between time with jokes, fun facts, and a few tricks.

Shryock also turns Main Street itself into the lesson. He tells guests about how Louisville is home to the country’s second-largest collection of cast-iron storefronts, and walks guests past the sites of former distilleries.

“I wear a name tag that’s a magnet, so I’ll take the magnet off my name tag, walk right up to those cast-iron buildings, and it adheres right to the middle,” he says.

“When I take my magnet off and put it on the cast-iron metal, they just go crazy,” he adds with a laugh.

After a few pours and countless inside stories, the tour ends in the pre-Prohibition heart of Whiskey Row, between Brook, First and Second streets, where names like Old Forester and Pappy Van Winkle’s W.L. Weller & Sons once operated until being shut down in 1920. By the last stop, the group that started out as strangers usually leaves as friends, with a new appreciation for Kentucky’s favorite spirit and the city that made it famous.

“You take a group of complete strangers, and they’re all enjoying each other’s company by the end,” he says. Of course, the bourbon helps, he jokes. “Once we do that first tasting, barriers start melting… And by the time we do the second and third tasting, you would think they were all friends. That’s what I love about it.”

Showing Up as Himself

When meeting folks from all over, Shryock says he may run into guests who don’t always agree with his “lifestyle” or sexual orientation. But that does not stop him from being authentic in how he shows up.

“Not everybody has to accept you. You have to accept yourself first,” he says.

He hopes to encourage folks to confront their biases, simply by spending time with him on a tour.

“I’m very proud of who I am as an individual. And I’m very proud of my sexual orientation,” he tells Queer Kentucky. “The more exposure we have around [other kinds of] people, the more walls get broken down… So they say, ‘This is a good tour. I really liked him. Maybe I need to start reevaluating some things in my life, the way I view people.’”

As for Bourbon & Belonging and its importance, the idea of belonging is what is most important to him. Shryock says it’s reassuring to see more safe spaces being intentionally created for queer folks. In the 80s and 90s, Shryock recalls gay-owned bars acting as safe havens for him and his gay friends.

“That was really the only safe space where we could gather without the fear of being harassed, or some type of physical violence happening to you…We knew there was safety being there, and we all kind of had each other’s back,” he says.

He appreciates how queer people can exist without as much ridicule, but still recognizes there is work to be done.

“Thank goodness it isn’t how it used to be,” Shryock says.

The Whiskey Row Walking Tour runs from Friday to Sunday, October 2nd-4th. You can book your spot here.

Shryock is most excited to expose more folks to his favorite city: “As a native Louisvillian, I’m very proud of our city, and I love to show it off.”

Disclosure: Bourbon & Belonging is produced by Queer Kentucky.

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Louisville Roller Derby skaters at the Camp Crystal Skate Halloween double header

Louisville Roller Derby Double Header: Camp Crystal Skate

Do you like scary movies? Do you see dead people? Come and play with LRD… forever and ever… and ever. Kick off the spooky season on Saturday, October 3 at Triple Crown Pavilion with Louisville Roller Derby‘s “Camp Crystal Skate” double header. Wear your most chilling costumes, frightening fits, and ghoulish getups to this Halloween-themed bout… if you dare!

Louisville Junior Roller Derby’s spookiest little skaters hit the track at 2 p.m. vs. Vette City Junior Roller Derby. The scary showdown between Camp Crystal Skate’s “Camp Counselors” and “Machete Mayhem” starts at 4:30 p.m. Doors open to the public at 1 p.m.

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Tickets start at $20 for adults and $12 for children 7 to 12. Children under 7 are admitted free of charge. Group pricing, season passes and sliding-scale options are also available.

The Triple Crown Pavilion, the official home for Louisville Roller Derby, offers free parking and full concessions, including a bar. The bout will be held on the ground floor with no need for stairs or elevators and is located near major highway exits. Seating and closed captioning will be provided. Fans are also welcome to visit local vendor and nonprofit booths.

Related: Louisville’s other derby: an inclusive community on wheels

Related: Everybody Say Lexi Love: Louisville’s Roller Derby Girl Dazzles in RuPaul’s Drag Race Season 17 Finale

Event Details

  • Date: Oct. 3, 2026
  • Time: Doors open 1 p.m. | First bout 2 p.m. | Second bout 4:30 p.m.
  • Location: Triple Crown Pavilion, 1780 Plantside Dr., Jeffersontown, KY 40299
  • Tickets: $20 for adults, $12 for children 7 to 12, free for children under 7

About Louisville Roller Derby

LRD is Louisville’s first and only flat track roller derby league. Established in 2005, LRD is a 501(c)(3) nonprofit organization. They are a diverse league coming together from Louisville and Southern Indiana to pursue excellence through competition and athleticism. They work together to passionately promote roller derby and foster the spirit of the sport while providing marketable sports entertainment for the greater Louisville Metro area. They received their highest honor in 2009 when Louisville Roller Derby acquired status as an official member of the Women’s Flat Track Derby Association (WFTDA).

For more information, ticket purchases, or to get involved, visit Louisville Roller Derby’s website.

Old Forester Master Taster Melissa Rift in a suit, leaning against a wall of bourbon plaques.

Old Forester’s Melissa Rift Took the Long Way to Master Taster, and Found Belonging in Bourbon

From her back porch in Louisville, Old Forester’s Master Taster Melissa Rift guided me through how to enter the world of bourbon. She suggested starting with cocktails, like whiskey sours and highballs, then working up to lower-proof pours in the 80-90 proof range. She said that while her personal favorite pour changes with the seasons, she’s come to appreciate the art of drinking on the rocks and is usually either drinking a 100-proof bourbon or rye these days.

She shared a trick she learned from Old Forester’s Master Distiller Chris Morris, where you use small ice cubes with a double pour, so the drink gets slightly slushy. The result, she said, tastes similar to sweet tea.

Rift’s knowledge of and passion for bourbon are palpable, and it’s clear why the country’s first brand to bottle bourbon chose her to be its primary storyteller. However, her path to master taster was not a direct one.

Melissa Rift’s Unconventional Path Into Bourbon

While Rift was born in Louisville, she spent her formative years in North Dallas. She returned to the Bluegrass State in her 20s for a master’s degree in social work and marriage and family therapy from the University of Louisville. Although her studies focused on counseling, a few side gigs and some time spent exploring the Bourbon Trail changed the trajectory of her career.

“Accessing bourbon by way of the Bourbon Trail was just a recipe for sucking me into [the industry] because it totally spoke to what I loved,” said Rift.

With a newly sparked interest in bourbon and a need for extra cash, Rift started taking work that kept her close to the industry. She drove Louisville’s Thirsty Pedaler and bartended at a brewery. Eventually, she landed a role as a distillery tour guide, which quickly became full-time, launching a career in bourbon.

Over the following years, Rift built a diverse set of skills. She became deeply familiar with the history of bourbon, learned about brand management and even launched a single barrel program, which deepened her understanding of production and tasting.

“I had gained this unique skill in being able to translate the technical side of bourbon to all audiences,” said Rift. “Because I had just fallen into the industry and done all these different things over the course of seven to ten years, I was well suited to step into the master taster role.”

Rift became Old Forester’s master taster in November 2022, a role combining all the pieces of her unconventional path through the industry. According to Rift, the role of master taster marries the technical side of whiskey production with brand education and consumer experiences.

When talking about her place in bourbon, Rift said she’s thankful for those who came before her.

“By the time I get engaged in the industry, there is a lot of equality happening. There’s a lot more women in the workforce. There’s a lot more interest in diversifying who you have working on your brands to be able to speak to different audiences,” said Rift. “I always say, especially, from a women in the workplace perspective, there was definitely one, maybe two cohorts ahead of me that really kicked the doors down.”

While Rift credited the cohorts ahead of her with kicking the doors down, she continues to widen that gap. Rift has been out for her entire career, speaks openly about her family and identity, advocates for inclusivity and is vocal about what she expects from employers. Overall, Rift said she’s been able to work around and among many like-minded people, and said she’s found that the bourbon industry today is a welcoming and surprisingly gay place to be.

What Bourbon and the Queer Community Share

For Rift, the connection between the bourbon industry and the queer community runs deeper than a shared love of Kentucky’s signature spirit.

“Bourbon’s all about storytelling. If you think about the way the queer community thrives and survives, it is by way of storytelling. That’s like how we exist. It’s how we carry traditions forward,” said Rift. “Resilience is also a theme that is shared between bourbon and the queer community. There’s so many parallels you can find in the way that bourbon has existed, that queer people have existed.”

Rift’s own unconventional path into the industry plays into that idea of resilience, and proves that there’s not a right way to enter the world of bourbon. For her, bourbon is all about the stories and traditions people carry forward, and the communities built along the way.

Related: Whiskey Row Walking Tour: Louisville Native Drew Shryock Shares Bourbon, History, and Pride

Related: From Doubt to Devotion: How Hannah Lowen Rediscovered Kentucky’s Bourbon Heart

See Melissa Rift at Bourbon & Belonging

Old Forester will host the Whiskey Row Garden Party on Friday, Oct. 2, from 6:30 to 8:30 p.m. at 119 W. Main St. in Louisville, with seasonal cocktails, hors d’oeuvres and live music on the rooftop terrace. The event is free, but capacity is limited. Details and RSVP at bourbonandbelonging.com.

Bourbon & Belonging: Kentucky’s Queer Bourbon Week will take place October 1-4, 2026, across Kentucky. For the full slate of events, visit bourbonandbelonging.com.

Disclosure: Bourbon & Belonging is produced by Queer Kentucky, and Old Forester is a sponsor of the event. Melissa Rift is a former member of the Queer Kentucky board of directors.

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S.G. Goodman sits in a folding lawn chair in a field of wildflowers, wearing a white T-shirt, black wide-leg jeans and black boots.

S.G. Goodman Brings Her Kentucky Tour Home This Week

Singer-songwriter S.G. Goodman is coming to town. The Hickman, Kentucky, native is making two stops in the Commonwealth this week. She’s appearing at the Bourbon & Beyond festival this Thursday, Sept. 24, at the Highland Festival Grounds at the Kentucky Exposition Center before making her way north to Newport to play the Southgate House Revival on Friday, Sept. 25.

Goodman’s current tour spans the South, a sure nod to her commitment to place-making, honoring of home, and love of the spaces that made her. Her third solo album, Planting by the Signs, was released in 2025 and pays homage both to the sound of folk tradition and to Appalachia’s movements through life as guided by the moon and stars.

The Southgate House Revival (SGHR) show takes place in the stunning Sanctuary room, which houses the original organ from when it was a church and is flanked by magnificent stained-glass windows. While the SGHR was formerly a Methodist Episcopal church, its repurposed space also holds true to the spiritual influence that erected its walls.

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Goodman’s Southern Baptist upbringing is apparent in her music, and in many ways, reclaimed in her unique sound. The artist, an up-and-coming queer icon in her own right, was named the 2023 Emerging Act of the Year by the Americana Music Association. But more than that, she gives voice and name to many Southern queers who found a love for music in the church and have grown up to find their identity at odds with the values they were raised with.

By marrying the spirit of her faith tradition with a raw and fresh sound in the folk genre, she honors her home while making listeners across the region feel that their space, too, can be held. Goodman seamlessly balances the complexity of rural, Southern, queer identity in a fashion that is so familiar to many, and offers a representation outside the region that makes us proud.

She’s surely one to continue watching, and this series of shows is an opportunity for folks to have their “I was there when…” moment with an artist who graced the cover of Queer Kentucky’s very last print issue in 2025.

Related: Lavender Cowboy Andrew Sa Brings Queer Country to Louisville

Related: A Love Letter to the South: Queerness, Country, and the Fight for Belonging

Bourbon & Beyond is the annual music festival celebrating Kentucky’s famous spirit with dozens of musical acts on each of its four days. Both weekend and day passes are still available for purchase.

Goodman is joined in Newport by opener Abby Hamilton, whose debut album, #1 Zookeeper (of the San Diego Zoo), is a musical match made in heaven. Hamilton is a Kentuckian too, hailing from Nicholasville.

The Southgate House Revival hosts live music seven nights a week across three spaces within the venue. S.G. Goodman goes on at 8 p.m.; doors open at 7 p.m.

A red HIV awareness ribbon on a white surface beside a pen, keyboard, and stethoscope.

Here’s How You Can Find an HIV-Competent Doctor in Kentucky

Since reporting began in 1982, more than 12,700 people have been diagnosed with HIV in Kentucky. Of those diagnoses, 58 percent of those reported infections progressed to AIDS, according to a 2025 state HIV/AIDS Surveillance Report.

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Being diagnosed with HIV can feel overwhelming, and recent federal policy changes, funding cuts, and proposed budget reductions have raised concerns about the future of HIV care and prevention across the country.

But there are still resources out there to connect people who have recently been diagnosed with the virus with good care.

Here is what some health care providers recommend HIV positive Kentuckians do to find the care they need.

Reach out to a primary care provider

Reaching out to a primary care provider for recommendations on how to find HIV-related care is a good first step, according to the National Library of Medicine.

However, some people in rural parts of Kentucky might struggle to find local providers with knowledge of treating a person living with HIV, or they may experience social stigma, according to Alice Thornton, a professor at the University of Kentucky, chief of its division of infectious diseases at its college of medicine and the project director for the Kentucky AIDS Education and Training Center.

“If they have a trusted local provider, they should be able to help,” she told Queer Kentucky. “Their primary care physician may be aware of options in their area and could be a starting place.”

Turn to The Bluegrass Care Clinic at the University of Kentucky

The Bluegrass Care Clinic at the University of Kentucky provides HIV-related care to 2,200 people across 63 counties, with about half of those patients living in rural areas, according to Thornton. The clinic offers a breadth of services for those with HIV and other infectious diseases, including transportation.

Prospective patients can reach a navigator nurse at (859) 323-1688.

Thornton added that the University of Kentucky also recently launched the LINK Project, a community health initiative meant to help those at increased risk for contracting HIV and Hepatitis C receive medical care and continue to get the care they need.

People with HIV can request information about HIV providers in their area by emailing [email protected].

“The LINK team can help with the handoff to care and can assist in removing barriers that the person may have in accessing services,” Thornton said.

Check out The Ryan White HIV/AIDS Program

The Bluegrass Care Clinic is part of a national, federally funded program called the Ryan White HIV/AIDS Program, which provides a system of HIV primary medical care, medications, and essential support services for low-income people with the virus, according to the program’s website.

Thornton recommends that people looking for HIV care do some research on the program and what it provides because of the wealth of resources it supports. The program funds cities, counties, states, and local community-based organizations to provide HIV care, treatment, and services to more than 600,000 people across the country.

“All of our Ryan White Clinics across Kentucky are nationally renowned for their high-quality care, retention in care, and achievement of viral suppression,” said Jon Parker, CEO of AVOL Kentucky.

Related: How Rural Kentucky HIV Care Saved Nathan Wilson

Related: Painting a Picture of HIV Prevalence in Rural Kentucky

Every state and U.S. territory has a Health Resources & Services Administration-funded Ryan White Part B program, and Kentuckians can find a map of case managers and qualifying clinics on the state’s Cabinet for Health and Family Services website.

Kentucky is one of many U.S. states that also have Ryan White Part C and Part D programs, which deliver HIV care at greatly reduced or no cost to patients, Thornton said.

People can also find HIV testing sites and HIV care services provided through the Ryan White program via this national website. Those looking for a Ryan White HIV/AIDS Program medical provider can find one here.

The website allows users to enter a ZIP code and find a provider within a defined radius. Thornton urged rural Kentuckians to search for providers via the website within a 60- to 80-mile radius of their homes to help the site find programs close to their location.

Kentucky drag artists Mars, Venus Knight, and Braya Grey in a composite portrait photograph against a pink background.

From Appalachia to Western Kentucky, Drag Artists Are Building Queer Community Across the Commonwealth Drag artists from Ashland to Bowling Green share their stories of performance, community, and resilience across Kentucky.

From the hills of Appalachia to the bustling bars of Louisville and Lexington, out to western Kentucky’s rural areas, drag artists in Kentucky have unique experiences and stories to tell.

These artists are living embodiments of how different drag can be in the commonwealth, but also how this art is found across it. Recently, these drag performers shared their tales, ideas, dreams, and connection to the drag community statewide with Queer Kentucky.

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Eastern Kentucky

“Everyone has a real care and concern for each other. Someone could hate someone’s guts, but they’ll still make sure you’re fed and housed,” Mars, a drag performer from Ashland in Eastern Kentucky, says.

Mars and Dorian Slay, another local performer, say they have collectively faced some issues with bringing drag to Ashland.

Mars said someone connected to the city once complained about a drag show at a local restaurant, and it got a “zoning violation” for being an “adult event.”

The far-right social media account Libs of TikTok then went after the event. Mars said some performers were sent hateful messages, and sometimes death threats.

Although drag performers do receive some negative pushback from the Kentucky public, Dorian says the good outweighs the bad.

“Honestly, the amount of appreciation and love that I’ve experienced here in eastern Kentucky is way greater than the amount of hate,” Dorian says.

Drag artists are performers, but that’s not all there is to drag. Many of these artists participate in local and national activism in a variety of ways.

Both Mars and Dorian have worked with Advocates for Appalachia, an organization that raises money for charities, hosts food drives, and advocates for people in need by taking part in strategy meetings to address local issues. The organization promotes community with a variety of events, such as a book club or their bi-monthly “Yap Sesh” which gives community members a space to vent and feel less alone.

Mars and Dorian said it’s part of how they give back to a community that shows up for their performances and the queer community in general. Despite government pushback, people always turn out in big crowds for their shows in Ashland, Dorian said.

Mars says he has seen his drag have an impact on drag culture in eastern Kentucky, even though he is a trans man who performs in feminine drag.

“The most important thing to me,” he told Queer Kentucky, “is I have a lot of trans men or transmasculine come up to me and say that watching a trans man do feminine drag so confidently has helped them work through… this expectation that we are supposed to be masculine all the time.”

Central Kentucky

In central Kentucky, artists like Benita Bloom, Braya Grey, Koko Taylor, Jen Erocity, Gemini Jewels, and Corabelle Bundy Jolie come from various backgrounds, but they’ve found a home performing in the central Kentucky drag scene.

The artists in this area say there is a freedom to express themselves more openly and with less fear, especially in cities like Lexington and Louisville.

“I think what makes drag special in central Kentucky is the connection that you feel when you enter a drag show,” Gemini Jewels said.

Jen, a Louisville artist, says Louisville is special because there is diversity throughout the city’s drag scene. She says she likes to perform in some of the lesser-known queer spaces in the city, such as Camp Spaceman, Portal and Kaiju.

“I just feel happier with my performance when it’s a more intimate venue,” Jen says.

Corabelle Bundy Jolie, who resides in Lexington, says she enjoys performing at the more obscure locales as well. She says she particularly loves small-town pride festivals and performing at brunches in Frankfort.

“Why can’t the queer community have their own space in some of these little cities?” she asks, acknowledging that it can be difficult for queer people in rural areas to have access to LGBT+ experiences.

In September, Corabelle is performing at Pikeville Pride this year as Ms. Pikeville Pride. She says she’s excited to share her drag with people in a more rural area.

Benita Bloom-Cox, a nonbinary drag artist, says that while central Kentucky is special and diverse, there are aspects of the drag scene that have potential for growth.

They perform as a “bearded queen”, which has occasionally resulted in not getting booked for certain events, they say.

But that hasn’t stopped Benita from expressing their true colors. Instead, those experiences have driven them to show up for those who are not always given the spotlight, they explain.

“It has been great to be able to stand on those stages and represent people you normally don’t see on stage,” they say. “You don’t see nonbinary people out here.”

Artist Braya Grey says her favorite place to perform in Lexington is the Bar Complex, where she is part of the Johnny’s Angels cast.

“I feel very lucky to have grown up in Lexington,” Braya says. “Old-fashioned drag queens here… have taken me under their wing and have helped me grow.”

Braya says she loves Lexington’s queer community because of its diversity.

“It’s few and far between that you are able to perform with so many different layers of people,” she says.

Related: For Us, By Us, Because of Us: Beyond the Looking Glass of Black Drag Queens in Kentucky

Related: The Magic of DIY Drag: Delusiona Grandeur masters the art of disruption

It’s that acceptance of difference that inspired Koko Taylor, a cisgender, straight queen.

“It’s really lovely to be around people that you can be involved with, share life stories with, and laugh at each other,” she says.

Western Kentucky

For those in Western Kentucky, they wear their Kentucky roots with drag pride. For example, queens Gorgina George and Venus Knight share a love for the Bowling Green community.

“Everyone always says, ‘you’re bigger than Bowling Green,’” Venus Knight tells Queer Kentucky. “Bowling Green has always been my home, and I love Bowling Green. Why not live in a place that you love, and then travel to all the places that you enjoy?”

Venus says the community in Bowling Green is special in the way they show up for each other.

“Bowling Green is my kingdom, and I feel that my supporters, my knights as I call them, have been the best that I’ve ever experienced, and they motivate me in a way that uplifts my heart,” Venus says.

She says she also tries to show up for them, including several years ago when she helped raise money for tornado victims affected by the 2021 storms.

Gorgina, who often uses it/its pronouns as part of its drag persona’s backstory about coming to Earth from another planet, says it also feels welcomed in and connected to the Bowling Green community.

“The Bowling Green scene is very interesting in the sense that they want vulnerability from you,” Gorgina says.

Onwards

Across Kentucky, drag artists are blossoming and are also looking to help the next generation. For those thinking about drag?

“Just do it!” Corabelle says.

These artists emphasized the importance of being open to advice from fellow performers, but they also said it’s equally important to remain authentic.

Drag is forever evolving, and each of these performers says they hope the scene begins to embrace diversity more, and that artists show up for each other despite the sometimes competitive nature of drag.

“It’s on us to protect each other,” Braya says,”…[to] build a community that works for each other, for us.”

Queer country and Lavender Cowboy singer-songwriter Andrew Sa in a promotional photo, wearing a white cowboy hat and black leather jacket.

Lavender Cowboy Andrew Sa Brings Queer Country to Louisville Sa will play Louisville’s The Monarch on Sept. 18

​Queer country singer-songwriter Andrew Sa will bring his debut solo album of originals, “American Rough,” released June 26 via Bloodshot Records, to Louisville this month, playing at The Monarch alongside local musician KJ Olsen on Sept. 18.

This will be the 40-year-old California native’s first time in the Bluegrass region.

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“I’ve been having the time of my life being able to perform in other places for total strangers and have them enjoy it and buy records,” Sa said. “[People] feel seen through [my music], and that is like the greatest gift that I feel like I’m able to receive anywhere and everywhere.”

Queer people are connecting to Sa’s sound because he embodies the “Lavender Cowboy” subgenre of country music, which reimagines and challenges ideas of masculinity in country music and society at large.

The term “Lavender Cowboy” originated from a 1923 poem by American editor and publisher Harold Hersey about an unmanly cowboy “with only two hairs on his chest.” Over the years, the poem has shown up in country-western movies like Oklahoma Cyclone and has served as the foundational theme for music artists like Patrick Haggerty’s first openly queer band, “Lavender Country.”

In a tribute song to Haggerty on “American Rough,” called “Lavender Cowboy,” Sa sings:

“Lavender cowboy, stranger in your hand,

Wander the highways with your ragged angel band,

And come out singing when you can.”

Modern alpha male-centered country music is commonly known for its tackle box toting, beer guzzling, and women-objectifying lyrics—often referred to as toxic masculinity. Sa is the antithesis of this, and he says his edge is tenderness.

Rather than celebrating conventional tropes of American machismo, softness lies at the center of “American Rough.” Sa’s unique style comes through in that softness, and he draws inspiration from the women of country gold, like one of his favorites, Patsy Cline.

When Sa was about 4 years old, his mother left him with his grandparents to pursue a different life away from motherhood and a white picket fence. During drives in their town car, Sa heard Cline’s weeping vocals for the first time and instantly connected with the yearning in her voice.

“I can only imagine that I was trying to understand what it meant to be left, you know, what it meant to be relatively abandoned as a child by my mother,” he said. “I think that country does such a good job of expressing that kind of yearning, you know, loss and longing, and I was just drawn to that so young.”

Related: Lavender Country: A vibe that’s worth the drive

Related: Queer love songs and rural lineage shine in Sam Gleaves’ new release

Sa joked that he’s “not a bad bitch and has never been a bad bitch.” He told the producer of his 10-track LP, acclaimed indie-folk artist H.C. McEntire, that he was worried that he had no bite.

“I was entering into this arena where everyone’s posturing, and it’s all about, you know, being bad and having an attitude—especially in country music and pop country,” he said.

The late Dolly Parton once said, “Find out who you are and do it on purpose,” and Sa has done just that, with McEntire calling his tenderness his superpower. Sa said he carries Parton’s quote into his performances.

While on stage, Sa said he encourages people to let go and embrace the emotions his music evokes. On one end of the spectrum, he encourages tears. On the other end, Sa said he is a jokester and wants to make people laugh, too.

“I want them to run toward romance. I want them to lean into tenderness. Yeah, that’s what I want,” he said.

For more information on Andrew Sa, check out his website. Sa’s show at The Monarch is free and open to the public. Doors open at 7 p.m., and the show begins at 8 p.m. Attendees are encouraged to make donations to the artists. The Monarch is a BYOB establishment, so come prepared!

Kentucky Poet Laureate Silas House stands with arms crossed in front of a composite background featuring a rainbow streak and lush green trees.

“The Songs of Silas” Puts Kentucky Poet Laureate Silas House’s Words to Music The composition premieres September 13 in Louisville.

During the pandemic, Chad Sloan, a Baritone on the faculty of the University of Louisville, read Southernmost, a novel by Kentucky Poet Laureate Silas House.

Sloan fell in love with what he read, and explored more of his poetry.

“As an artist, something that rings true to me is ‘Whatever is the most personal is the most universal.’ It’s very personal poetry to him, but everything he talks about is such a clear expression of his human experience,” he said.

In awe of House’s words, Sloan knew he wanted to put it to song.

“I want to create something that has the same kind of telling stories as a queer artist in the medium that I know, study and teach,” he said. When Sloan first pitched the idea to House over email, House was intrigued.

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Over the next four years and over countless Zoom meetings and emails, “The Songs of Silas” emerged — a collection of songs made from House’s poetry and composed by Grammy-winning Louisville Orchestra Director Teddy Abrams and set to Sloan’s classical voice.

Now, “The Songs of Silas” will make its world premiere at the University of Louisville’s Comstock Hall on September 13.

“As soon as I started talking to Chad [Sloan], I trusted him. I could hear the passion he had for music, and the arts, and saying something about Kentucky. So I knew right away that we had common goals in mind. I found his singing and was blown away by it, so it wasn’t hard for me to sign on,” House said about the composition of his poetry that Sloan pitched.

House picked four pieces of his poetry for the song cycle – Gloaming, Little Fire, His Body Appalachia, Cumberland Falls – for the 27-minute-long performance with two movements.

Because of the complexity of composing the music needed, Sloan and House agreed to approach Teddy Abrams for the project. Abrams said yes.

“Having the responsibility of setting that to music and trying to find an emotional language in music that describes his experiences accurately is a deep one and one I’m very proud of,” Abrams said.

The song cycle blends classical voice with Kentucky’s deep cultural roots, pulling inspiration and including improvisations from blues, bluegrass, folk, and musical theater. But Sloan knew the music would be very difficult for the singer and the pianist, and the number of pianists who could do the things in Abrams’ composition was few and far between.

Then came Ahmed Alom.

Alom, a Cuban-born performer and composer based in New York City. His recent work includes collaborations with famed pianist Yuja Wang and the New York Philharmonic, upcoming performances at Aspen Music Festival and leading New York arts institution Caramoor, and the Broadway hit Buena Vista Social Club.

Related: Silas House Publishes His Debut Poetry Collection, “All These Ghosts”

Related: Appalachian Poet Samantha Ratcliffe Uses Words to Reclaim Queer Identity in Kentucky

“He hugs you with the piano when you sing, every twist or turn, every emotion, he’s right with you. In the first movement, you might hear sounds of a banjo or cicadas or locusts in the forest that has me coming back to center. He created this sense of place via his music,” Sloan said.

The second movement is 80 percent blues improv piano.

“It’s a really agonizing experience for a singer, wailing through a baritone voice — that placing it inside a blues song worked so well,” Sloan said.

Once he heard the full piece, House said he was overcome with “goosebumps.”

“Sometimes it is a quiet small town at dusk, and sometimes it is a roaring waterfall. He completely captured the feel of what I was trying to do in these poems. The passion that he gives to every word, the feeling. It’s hard for me to listen to it and not tear up when I think of how much work and love they’ve both put into this project,” House said.

‘The Songs of Silas’ will make its world premiere at University of Louisville’s Comstock Hall on September 13. Sloan will also sing the music of Mozart, Debussy, Korngold, and Rouse. This concert is free and open to the public.

Queer Talent Shines in Highview Arts Center’s “And Then There Were None” "Ten strangers. One isolated island. No escape"

The cast is villainous, and there’s plenty of queer octane fueling the production of the classic Agatha Christie murder mystery, And Then There Were None. Adapted from the novel for the stage, the play runs September 4 through September 13, 2026 at the Highview Arts Center in Louisville, Kentucky.

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Directed by Joy Beth DeWitt-Riley and produced by Jay Padilla-Hayter, And Then There Were None follows ten strangers who are invited to an isolated island, where they learn that each has been accused of causing someone’s death. As they begin to die one by one – murdered according to the verses of a nursery rhyme – everyone is suspect.

The production aims to keep the audience on edge, delivering twists in the plot – and a few turns on gender. Not surprising, given that Joy Beth DeWitt-Riley, making her directorial debut, got her start in a Shakespeare revue where she played Romeo in Romeo and Juliet. And Rayann Walker, who played opposite her as Juliet, happens to be in the Highview Arts show now playing Mrs. Rogers. The two met in 2024 at Three Witches Shakespeare – a queer, feminist company in Louisville.

Rewriting the Script On and Off Stage

That same approach to gender-fluid casting shows in DeWitt-Riley’s directorial choices, giving the part of Detective William Blore to actor Hannah Blackmore.

“I was so excited when I saw on her audition form that she said she was open to playing characters of any gender,” the director gleefully noted of Blackmore.

“We’re trying to be really inclusive and not discriminate against anybody [around] sexuality, gender, race, and especially body type. That’s one that I think people don’t call out enough, especially in the theater world,” said DeWitt-Riley. “I am a plus-sized girly, so sometimes it is a little bit rough for us out there in the theater world. But we really want everyone to be involved and to be able to participate in the arts.”

The director included a few different words to describe her own sexuality, including bisexual, bi-romantic and she says she’s on the asexual spectrum, as is her husband.

“A lot of people don’t always understand how those two things can go together,” she says. “And I say, well, if you don’t understand it, imagine being it, because that was very confusing for a lot of my life.”

DeWitt-Riley brought her inclusive mindset to the play’s particulars, along with sensitivity to elements from an earlier era that would certainly be found offensive today. The original 1939 title – long since dropped – was based on a minstrel rhyme and used a racial slur. At one point, the play was also called Ten Little Indians. DeWitt-Riley intensely studied the story’s history, and Christie’s biography, in preparation for creating a play that would be gripping, while welcoming to all.

“I think as a queer person, I can’t help but be queer in everything that I do,” the director said. “And the theater has always been such a safe harbor for people that don’t quite fit in other spaces, and so I do think it naturally attracts queer people.”

While the story doesn’t have queer-specific themes, in preparing for the show, some of the cast approached discussions about inner motivations with a queer perspective. It might not be obvious on stage, DeWitt-Riley said, but it’s there.

On the crew side, Matthew Pruitt, stage manager, is an openly gay man. At least half of the cast is queer, including Jesse Barfield, who plays Rogers, as well as Mimi Housewright, who plays one of the leading roles, Vera Claythorne.

“Theater is a reflection of life, and so our queer experiences are being reflected by how we’re presenting ourselves, even when we’re a character. I always say that acting isn’t lying – it’s telling the truth in a different way,” DeWitt-Riley said.

“I’m Done Pretending to Not Be Who I Am”

Mimi Housewright, who identifies as pansexual, came out publicly in 2023 while in a production with Mind’s Eye Theatre.

“I was doing The Addams Family at the time, and I was like, ‘All right, I’m done. I’m done pretending to not be who I am,’” she said, recalling being surrounded by queer folks who were really supportive.

“You know, they loved me the way that I am, and they gave me the encouragement that I needed to publicly come out. Since then, I definitely think that I’ve seen a difference in myself in how I interact in theater settings. It no longer feels specifically like I’m hiding something.”

Playing Uncle Fester was also liberating.

“It was the first time playing a role that wasn’t my gender, and I just felt so free.” She felt like she could do anything. “After that, to me, it just felt like the sky was the limit.” Housewright went on to play Buddy the Elf and Shrek in other shows before landing the part in And Then There Were None.

Housewright said she is super excited about playing Vera.

“She is there as a secretary, and yet you see at the very beginning that she takes charge, she gets everybody in line, even though there’s a couple of characters that don’t really respect her because she’s a woman… ” Everyone has a dark side, and the actor is also drawn to Vera’s inner struggles.

Along with all the possibilities opening up for Housewright recently, she appreciates what she sees all over the Louisville theater community: “Such incredible gender-blind casting and letting people try something out that they normally wouldn’t be in.”

Related: Time Slip Theatre Opens 13th Year of ‘Rocky Horror’ With a Witchy Twist

Related: “Monster” themed season will grace Pandora Productions 2024-25 season

By that, she’s referring not only to gender and to queerness, but to looks.

“I’m not who you would normally cast for an ingénue role, and I do consider Vera an ingénue… it has nothing to do with me being queer or me being large or me being short. None of it. It was all about who I really was – the best person for this character.”

A Coin Flip, a Proposal, and a Few Surprises

In addition to cultivating inclusion, Joy Beth DeWitt-Riley made other directorial tweaks with sensitivity in mind – including scrubbing out some of the script’s misogyny.

“There’s a scene where Vera’s character is freaking out, and a male character comes up and slaps her because she’s being hysterical, and we don’t do that,” DeWitt-Riley says. “I’ve changed it to where he is guiding her to a chair and sitting her down…”

Speaking of switcheroos – one of the biggest and most fun: for each show, a flip of the coin will determine the ending: heads, the 1939 ending in the original novel, or tails, the 1943 stage ending. We don’t want to be spoilers, but suffice it to say that WWII, in all its bleakness, had Agatha Christie devising an alternate wrap-up in the 40s that was, well, slightly less bleak than the war.

And in real-life happy drama, there’s another alert we definitely don’t want to spoil. Word is Mimi Housewright has a girlfriend, and one of them is going to propose to the other. Soon!

“I am friends with both of them, and I keep on talking to both of them, and I know both of their plans – but I can’t share them because it hasn’t happened yet,” DeWitt-Riley teases.

Tickets for Agatha Christie’s “And Then There Were None” at the Highview Arts Center in Louisville, Kentucky, are available on the venue’s ticketing page. The theater is fully physically accessible.

Creating Change 2027 Is Coming to Louisville. Here’s What to Know. Louisville Is Hosting One of the Biggest LGBTQ+ Conferences in the Country.

Editor’s note: This story was published in September 2026. Some details may have changed since then.

A ballroom in the downtown Louisville Marriott was decked out in many colors last week, when organizers at The National LGBTQ Task Force, an advocacy nonprofit, met with local LGBT organization leaders to kick off the road to a national event.

The initial reception brought together local, state and national leaders to begin conversations and strengthen Kentucky connections ahead of the 2027 Creating Change event, which will be held in Louisville on January 27-31, 2027. 

Local musicians and drag performances book-ended a mix-and-mingle event where the Task Force staff revealed the theme for Creating Change in 2027. The event theme is “Radical Imagination: Building Our Destiny.” 

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Alicia Hurle, co-executive director of Common Ground Kentucky, made sure to instruct visitors how to pronounce “Louisville.” 

“Loouvull, like you got marbles in your mouth,” she said, to scattered laughter. 

Louisville has a long history of activism, something that Chris Hartman, executive director of Kentucky’s Fairness Campaign, immediately recognized when he stepped up to speak. In 1999, Louisville was the first city in the Commonwealth to pass a fairness ordinance to protect LGBTQ+ people from discrimination. In 2026, organizers defeated every one of the anti-LGBT bills proposed in the Kentucky legislative session. 

Fernando Lopez, Director of Creating Change, praised Kentucky for “having organizing in your blood,” and said they wanted the rest of the country to learn from Kentucky’s successes. 

“I know coalitions are messy, but we work together when it matters,” they said. “If you have an idea, a connection, if you want to bring that into this work, if you have something to teach, we have a lot to learn. Submit your proposals. We want to connect to your volunteers. Our job is to leave every city better than where we found it,” Lopez said.

What is Creating Change? 

The Creating Change annual event will bring the nation’s foremost political and leadership experts to Louisville for skill-building day-long institutes, keynote presentations, awards and workshops. The event aims to allow leaders to share strategies, sharpen skills and build the relationships that power the Creating Change movement. 

The event started in 1988, one year after the 1987 National March on Washington for Lesbian and Gay Rights. Today, Creating Change draws about 3,500 attendees from all over the country. Previous speakers have included civil rights activist Julian Bond, National Farm Workers Association co-founder Dolores Huerta, political activist Ben Jealous, Maryland Gov. Martin O’Malley, former Labor Secretary Shaun Donovan, Bishop Yvette Flunder, journalist and immigration rights activist Jose Antonio Vargas, and transgender actress and LGBTQ+ advocate Laverne Cox.

Proposals for events at Creating Change are open now until Sept. 15, 2026, and registration is available at a variety of levels, including assistance for those with financial difficulties.

“We have a crisis of hope” 

When Task Force President Kierra Johnson finally got up to speak at this event, the room got much quieter.

“We are living in a moment unlike any we’ve seen before, and we have a crisis of hope on our hands,” she said.

“People are confused, they are scared, there is a gaping hole of mistrust and plenty to go around: mistrust of government, mistrust of schools, mistrust of corporations, mistrust of nonprofits,” Johnson said. “And this is the work that we signed up to do. The work is to fill those gaps.”

Over the last five years, Johnson said the state organizations the Task Force has worked with have asked the coalition to come back, which is “not always how things have been.” 

Johnson said the task force has learned to be different: to understand “the difference between being transactional and extractive versus being relational and additive.” 

Related: Creating Change 2027: Nation’s Largest LGBTQ Conference Coming to Louisville

Related: Anti-Trans Teacher Amendment Fails in Kentucky’s 2026 Legislative Session

She stressed the importance of doing things differently now, especially within the faith space, because LGBTQ folks “overwhelmingly identify as spiritual and religious.” Right-wing opposition, she said, is already organizing on a faith path, and “they know how to strategically use faith, and what people think faith is, as a weapon of mass destruction.” 

“The national LGBTQ Task Force is committed to being real with you, to being authentic, to being provocative, which is really hard,” Johnson said. “But we believe you can’t shy away from hard conversations, so we just set the table and say let’s have ‘em.” 

Johnson looked around the room with pride on their face.

“It is resistance to dream right now to claim our destiny, and our agency to build it ourselves,” they said. “This is our home and it is up to us to do it. And we refuse to let anybody else take that away from us. I can’t wait to get into some good trouble with you,” she said.

Attendees stroll down a street lined with tents and vendors at a Pride festival in Louisville's Tyler Park neighborhood, passing an ice cream stand and a rainbow-colored art installation

Louisville Pride Festival Is Back with “Empowered, Emboldened: Pride In The Face of Opposition” Theme Kentucky’s Largest LGBTQ+ Event Returns on September 12th with Entertainment & Community Resources

Editor’s note: This story was published in August 2026. Some details may have changed since then.

Louisville, KY – The Louisville Pride Festival returns on Saturday, September 12, 2026, from 11 AM to 10 PM along Bardstown Road in the Highlands. This year’s theme, “Emboldened, Empowered: Pride In The Face of Opposition,” honors the LGBTQ+ community’s perseverance through the continued struggles and ongoing fight for equality.

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“As we celebrate the authenticity, courage, and resilience of Louisville Pride, this year’s theme is about empowering each other to continue living in our truth and celebrating our individuality, visibility, boldness, and strength no matter what the opposition is telling us, and we invite all to celebrate with us,” said Ebony Cross, Executive Director of the Louisville Pride Foundation. “Despite the uphill battles that we’ve always fought and will continue to fight against, we stand firm in hope, unity, and pride.”

Festival Highlights:

Two Stages of Entertainment

• Main Stage: Headlining artists, powerful performances, and the Louisville Pride Awards recognizing impactful leaders.

• Community Stage: A showcase of local LGBTQ+ talent and grassroots performers.

100+ Affirming Vendors

• LGBTQ+-owned businesses, nonprofits, and advocacy organizations.

• Unique merchandise, art, and community resources.

Wellness & Family-Friendly Activities

• The Big Tent: LGBTQ+ healthcare providers, HIV/AIDS awareness, mental health support etc.

• Family Zone: Arts, crafts, and interactive performances for all ages.

Food & Beverages

• A diverse lineup of local food trucks and drink options.

Get Involved

As a free, community-driven event, Louisville Pride relies on volunteers, sponsors, and donors to keep it accessible to all.

• Volunteer: Help with logistics or event support.

• Sponsor: Gain visibility while supporting LGBTQ+ advocacy.

• Donate: Contributions keep the festival free.

Related: Louisville Pride Put Mental Health Front and Center. The Need Doesn’t End When the Tents Come Down.

Related: Louisville Pride Says QPOC, Trans Inclusion Critical Under Shifting Political Landscape

 

Join Us for the Biggest Louisville Pride Festival Yet!

When: Saturday, September 12, 2026 | 11 AM – 10 PM

Where: Bardstown Road (Longest Ave – Grinstead Dr.), Highlands, Louisville, KY

Admission: FREE & open to all

For updates, follow @LouPrideKy on social media.

Three smiling Black women pose together in front of a brightly colored Melanin Pride Weekend banner in Louisville.

Melanin Pride Weekend Celebrates a Decade of Black LGBTQ+ Culture in Louisville The weekend of events features intentionally curated spaces September 18 through 20.

LOUISVILLE, KY — Pride Games Events proudly announces the return of Melanin Pride Weekend 2026, celebrating its 10th Anniversary from September 18–20, 2026. For the past decade, Melanin Pride Weekend has created intentional spaces where Black LGBTQ+ individuals and allies can celebrate culture, community, authenticity, and pride.

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Founded by Desiree Carr, Melanin Pride Weekend began with one vision: to create safe, welcoming, and affirming experiences where Black LGBTQ+ people could be celebrated unapologetically. Ten years later, that vision has evolved into one of Kentucky’s signature Black LGBTQ+ celebrations, bringing together thousands of attendees, entertainers, community leaders, businesses, nonprofits, and allies from across the region.

This year’s 10th anniversary promises to be the biggest celebration yet, featuring five events throughout the weekend.

Friday, September 18, 2026

Melanin Pride Open Mic Night

Time: 9:00 PM – 1:00 AM

Canvas & Cocktails
2804 Crums Lane
Louisville, KY 40216

The weekend begins with an exciting showcase of emerging talent, spoken word artists, singers, rappers, and performers competing for a featured performance opportunity while celebrating Black LGBTQ+ creativity.

Saturday, September 19, 2026

All Shades of Melanin Day Party

Time: 5:00 PM – 9:00 PM

The Palm Room
1821 W. Jefferson Street
Louisville, KY 40203

Guests are encouraged to wear their favorite shades of brown while enjoying music, networking, entertainment, and an atmosphere dedicated to celebrating the beauty and diversity of melanin.

Saturday, September 19, 2026

Let It Melt Official After Party

Time: 11:00 PM – 3:00 AM

Canvas & Cocktails
2804 Crums Lane
Louisville, KY 40216

One of Louisville’s most anticipated LGBTQ+ nightlife experiences returns with high-energy DJs, live performances, dancers, and unforgettable entertainment.

Sunday, September 20, 2026

Melanin Mania Drag Brunch

Time: 12:00 PM – 3:00 PM

Canvas & Cocktails
2804 Crums Lane
Louisville, KY 40216

Guests will enjoy an afternoon filled with incredible drag performances, delicious brunch, music, and community fellowship.

Sunday, September 20, 2026

We Outside: Melanin Edition

Time: 4:00 PM – 8:00 PM

Jubilee Field
907 S. 29th Street
Louisville, KY 40211

The weekend concludes with a free outdoor community celebration featuring local vendors, food trucks, games, live entertainment, youth activities, community resources, family fun, and opportunities to connect with organizations serving the Louisville community.

Throughout the weekend, attendees can expect nationally and locally recognized performers, drag entertainers, DJs, community organizations, small businesses, food vendors, networking opportunities, and experiences that celebrate the richness and diversity of the Black LGBTQ+ community.

Related: Kentucky Black Pride Turns 10 in the Park That Sheltered Queer Lexington

Related: Louisville Pride Festival Is Back with “Empowered, Emboldened: Pride In The Face of Opposition” Theme

“As we celebrate ten years, this weekend represents so much more than entertainment,” said Desiree Carr, Founder and CEO of Pride Games Events. “It’s about creating spaces where people feel welcomed, valued, and celebrated exactly as they are. Over the last decade, we’ve built something that brings people together, creates opportunities for Black LGBTQ+ artists and entrepreneurs, and reminds our community that we belong. I hope that every person who walks through our doors leaves feeling inspired, connected, and proud of who they are.”

Carr says the anniversary is both a celebration of the past and a launch into the future.

“This milestone belongs to everyone who has attended an event, volunteered, partnered with us, sponsored us, or simply believed in the vision. We’re excited to continue growing Melanin Pride Weekend and creating even more opportunities for our community throughout Louisville and beyond.”

Tickets, vendor registration, sponsorship opportunities, and additional event information are available at www.pridegamesevents.com.

Queer Kentucky Annual Report 2025 in front of a dancing crowd at night.

ANNUAL REPORT: Queer Kentucky Reported 30% More Stories on 42% Less Funding

8 million readers: even with a funding shortfall due to the political climate, the only LGBTQ+ newsroom in Kentucky saw growth and national attention.

Queer Kentucky, the Commonwealth’s only LGBTQ+-dedicated newsroom, which reached 8 million readers, recently released its annual report for 2025, highlighting the news outlet’s work despite a sharp decline in funding.

“It tells the real story about what’s been going on with Queer Kentucky this past year, good and bad, including the fact that we’ve got challenges and that we need support. But in the midst of all that, we’re doing great work,” John Reisert, president of the board of directors of Queer Kentucky said.

The organization published 262 stories — about a 30% increase from the previous year — and reached 8 million readers — a more than 400% increase from 2025, according to the report.

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“Eight million people heard the stories of LGBTQ+ Kentuckians last year, and I think that matters more than people realize. We’re not just filling a coverage gap. We’re actively rewriting the national narrative on what Kentucky looks like,” Missy Spears, Queer Kentucky’s executive director, said.

Queer Kentucky and its team received several national recognitions. Founder and former executive director Spencer Jenkins and Queer Kentucky were nominated for Best Print Magazine Article at the GLAAD Media Awards for the 2024 article “Noah J. Ricketts Brings the Bluegrass to Hollywood and Broadway” in the Reimagining Masculinity Queer Kentucky print publication. Queer Kentucky was also nominated by GLAAD in 2026 for Outstanding Independent Journalism.

Missy Spears was named one of GO! Magazine’s 2025 Top 100 Queer Women and served as a Grand Marshal of the Cincinnati Pride parade. She also received the Jeanne Córdova Award from NLGJA: The Association of LGBTQ+ Journalists, one of the highest honors in queer media.

The report also noted that Queer Kentucky’s coverage has grown beyond Kentucky’s urban centers, now including Northern Kentucky, Eastern Kentucky, and Appalachian communities.

In 2025, the newsroom shifted its focus to civic literacy, providing more news out of Frankfort. Queer Kentucky also hosted in-person events that brought journalists and the community together.

The team delivered research-driven stories, highlighting the challenges faced by LGBTQ+ Kentuckians as health policies shift with the current administration. The organization also emphasized harm reduction and public health, publishing more stories about resources across the state. The work goes beyond the words. The Queer Kentucky team also distributed more than 300 HIV self-test kits across Kentucky alongside continued coverage to raise awareness.

The report showed the continued partnership with researchers from Kentucky’s Moore Lab to create a public resource survey on LGBTQ+ health data in Kentucky, which began in 2024. That survey reached thousands of Kentuckians in 2025.

“A GLAAD nomination and the Jeanne Cordova Award in the same year is national recognition for queer Kentucky voices, and it means something. But we also had 4,100 LGBTQ+ Kentuckians answer our call to collect data that nobody else was collecting,” Spears said. “That’s the work. The awards and nominations are really fun, but the data is how we prove our community’s needs are real and form the blueprint for our journalism coverage.”

The report also details how funding has decreased across the board for nonprofits in the US, including Queer Kentucky. The report shows the organization lost almost 42% of its total funding.

Related: Queer newsrooms are being bought, stripped, and shut down. We’re still here.

Related: Queer Kentucky Nominated for GLAAD Award for Outstanding Independent Journalism

Even with the financial situation, Reisert said the news outlet still fulfilled its mission.

“We took a huge cut to our budget, and that should have impacted what we’re able to do. Yet, we seemingly did even more than the previous year in terms of coverage. We’re still making an impact,” he said.

The current administration’s federal grant-funding changes last year impacted the organization, Reisert said.

“Money that was earmarked or available to organizations like ours in the past isn’t now. It was also an eye-opener for us… that we should look at how we fund our work and find different ways to do it,” Reisert said.

Now, the organization is looking ahead and expanding its storytelling footprint in areas like Western Kentucky, starting in Paducah.

“Paducah is gay. I will scream that from the hilltops,” Spears said. “Paducah boasts one of the most LGBTQ+ friendly downtowns, a fairness ordinance going back a decade, and hosts the only lesbian film festival in the country.”

The expansion isn’t a new idea, she noted. It’s the result of groundwork laid well before this year’s report, Spears said. “We’ve been forming relationships in the community since 2023 and are excited to strengthen and expand our network over the next few years. Louisville and Lexington aren’t going anywhere, [and] our job has always been to highlight the Kentuckians that get left out of the conversation.”

For Reisert, that mission carries a particular urgency.

“We live in a red state, and Kentucky is doing as much or more than any other red state in the country when it comes to initiatives targeting queer and trans folks,” he said. “If you don’t report on it, it’s just going to happen with no light shining upon it, and there will be no way to resist it.”

A blue handkerchief hanging from the back left pocket of blue jeans

Lavender to Watermelons: Safe Signaling in Kentucky

From Oscar Wilde to Kentucky lesbians, LGBTQ+ people have used certain signals to know who is family or an ally or not.

In 1981, Queer visibility was on the rise. But even with many U.S cities seeing pride parades in the streets, homosexuality was still criminalized within the Commonwealth. Knowing who your friends were back then wasn’t just political – it was life-saving.

And for young L.J. Phillips, an Eastern Kentucky native, remaining in the closet in her small town wasn’t a choice at all. She couldn’t wear boy clothes or behave indiscreetly. She couldn’t even admit to her parents why she wouldn’t be attending prom with any of the nice young men down the road.

“I couldn’t tell anyone that I was a lesbian,” Phillips, now in her 60s, told Queer Kentucky. “But I still wanted to be recognized.”

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Phillips would tie a light blue bandana around her head before she left in the mornings to hold her hair back. Once out of the home, she’d remove it from her head and tuck it in her back pocket on the right side.

“I didn’t know what all of the colors meant. I just knew it was a gay thing,” she explained.

What she was doing was using the hankie code, which was popularized by lesbian and gay communities in the 70s and 80s as a physical marker of sexual preferences. It indicated to other queer individuals what you were interested in, while still maintaining plausible deniability in a conservative society. Only those who were aware of the hankie code, such as other LGBTQ+ folks, would recognize the gesture for what it was.

This method of using discreet symbols to flag allyship and sameness is known as a form of safe signaling. Codes have been utilized by queer communities for decades. For example, lavender became tied to people who were or had been thought to be queer by the 19th-Century, including Oscar Wilde and even Abraham Lincoln, according to CNN. It was then embraced by the LGBTQ+ community over time and the color was even worn during the Stonewall riots as a marker of pride.

In Kentucky, a newsletter dating back to the ‘80s centering gay rights activism and titled “The Lavender Letter,” used the historical implication of the color to indicate their context. Other notable symbols include the Pink Triangle, a reclaimed emblem from Nazi Germany, and the Lambda, a Greek letter representing the gay liberation movement. In 1985, Lexington’s first week-long Pride event, the Lambda replaced the L in the city name, honoring a long-used historical queer symbol.

According to Josh Porter, an archivist at Faulkner Morgan, a Lexington-based nonprofit devoted to sharing Kentucky-focused LGBTQ+ narratives, these symbols “became part of the language” for LGBTQ+ folks, allowing for subtle identification of other community members and allies.

These symbols weren’t just utilized by individuals, but by businesses, as well, to signal that their establishment was safe for gay patrons. Bar Complex, in Lexington, Kentucky, was one of these establishments. When first opened in 1939 as the Mayfair Bar, the business used lavender on its original sign to discreetly indicate itself as gay-friendly at a time when homosexuality was a criminal act. The Mayfair Bar became known as a safe place for queer folks to gather.

In 1963, the bar was reopened as The Gilded Cage by two gay men, John Hill and Estel Wilson, beginning a trend of queer ownership throughout its history until it became the modern-day Bar Complex near the Northside district in Lexington. Today, it’s a mainstay in Lexington’s LGBTQ+ community – hosting drag shows, queer-themed nights, and welcoming individuals of any and all sexual orientations and gender identities.

As political policy swayed in favor of queer rights nationwide, with same-gender sexual acts decriminalized in Kentucky in 2003 and marriage equality legalized in the U.S. in 2015, the need for safe signaling dwindled. Symbols like the rainbow flag were repurposed, becoming publicly representative of LGBTQ+ pride and often used during June’s Pride Month by businesses to express support for the queer community. For a time, it seemed that the need for safe signaling was largely in the past. According to Porter, the 2000’s saw “the rainbow getting used in everything. It was the rise of rainbow capitalism, where [queer] signals gained popularity.” While Josh agrees that these symbols still indicate solidarity – such as a pride flag hanging outside a business, indicating progressive values from the owners or employees – Porter notes that these symbols became visibly “representative of anything queer,” no longer used with discretion.

Related: A Deeper Dive into Kentucky’s Gay Liberation Front with the LGBTQ History Project

Related: LGBTQ+ History Banners Line Vine Street in Lexington for Pride Month Celebration

However, with the recent introduction of various anti-LGBTQ+ legislation, including Kentucky house bills requiring exclusive bathroom use from the designated biological sex, as well as executive orders made by President Donald Trump, mandating that gender be determined by the binary identity assigned at birth, safe signaling has returned to the queer community – albeit in a new form. As Porter notes, the signals we use are a “barrier to entry,” recognizable to other queer individuals beyond mainstream rainbow capitalism. Special emojis, internet bios, and unique attire are being used as modern signals, while known iconography, such as the pride flag, no longer operates with the same discretion. And discretion, Porter says, is key.

“Putting pronouns in your bio can sometimes be outing yourself as a queer person, a trans person, and could possibly put you in danger,” Porter noted. With an increasing number of anti-DEI bills proposed and passed, such as House Bill 4 in Kentucky, which prohibits postsecondary education institutions from providing differential treatment or benefits on the basis of an individual’s religion, race, sex, color, or national origin, publicly publishing information regarding your gender identity or sexuality could create an unsupportive, potentially unsafe, environment.

Now, in 2026, twenty-two-year-old Shepherdsville local, Adam Turner, said he feels the pressure of being gay in a red state. He told Queer Kentucky he’s cautious with how much he shares about his identity and beliefs, though he doesn’t want to be invisible, either.

“I put a watermelon sticker on my car,” Adam said, “because it’s just a watermelon, but people who know what it means know what it means. It’s Palestinian support. But, also, you know, support for political views that align with that. Progressive views.”

While flagging allyship and sameness has been a historically successful way to identify trusted others, the social and political conditions that necessitate safe signaling are less than ideal.

“The dream is to not have to have these signals,” Porter said.

Artist Tayzzy sings into a microphone, eyes closed, during a nighttime performance.

Love Out Loud Fest Brings Free Music, Art, and Community to Louisville on July 23

Founded by Louisville artist Tayzzy, the event features R&B performers Baby Grace, Just Joey, and Penny Marguax, plus face painting, tarot readings, and local vendors

LOUISVILLE, KY — On Thursday, July 23, from 7:00–11:00 PM, Louisville’s Jubilee Field will transform into a vibrant celebration of music, creativity, and community during the inaugural Love Out Loud Fest. Created by Louisville R&B artist Tayzzy (Kayleigh Knies), the festival is a free, community-centered event designed to make meaningful experiences accessible to everyone, regardless of income.

Love Out Loud Fest was built on a simple belief: everyone deserves the opportunity to experience joy, connection, and community without breaking the bank. At a time when many festivals and events have become increasingly expensive, Love Out Loud offers an alternative where people can gather, celebrate, and simply exist together in a welcoming space.

Admission to the festival is completely free, and many of the interactive activities will operate on a pay-what-you-can basis. Guests will have the opportunity to enjoy experiences like face painting, rave braids, tarot readings, local vendors, food, and more, allowing attendees to support local artists and small businesses at whatever level they are able.

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The evening will feature an exciting lineup of independent R&B artists, showcasing the incredible talent found throughout the region. Performers include:
● Tayzzy
● Baby Grace
● Just Joey (Gary, Indiana)
● Penny Marguax
Each artist brings their own unique sound and perspective to the stage, highlighting the diversity and creativity within the independent R&B community.

More than just a music festival, Love Out Loud is an intentional space where people from all backgrounds are encouraged to come as they are. While the event was created with Louisville’s queer community in mind, everyone is welcome to attend. The festival celebrates authenticity, self-expression, and the power of gathering together through music, art, and shared experiences.

Community involvement is at the heart of the event. Local artists, makers, organizations, volunteers, and small businesses all play an important role in bringing Love Out Loud Fest to life. Those interested in supporting the festival can attend the event, volunteer, become a vendor, or help spread the word by sharing the event with friends and family.

Related: Melanin Pride Weekend Celebrates a Decade of Black LGBTQ+ Culture in Louisville

Related: Louisville Pride Festival Is Back with “Empowered, Emboldened: Pride In The Face of Opposition” Theme

Whether you’re coming for the live music, to discover local creators, to enjoy the pay-what-you-can experiences, or simply spend an evening surrounded by community, Love Out Loud Fest invites everyone to show up exactly as they are.

Event Details
Love Out Loud Fest

Date: Thursday, July 23

Time: 7:00 PM – 11:00 PM

Location: Jubilee Field, 529 E Burnett Ave, Louisville, KY 40217

Admission: Free

Experiences: Pay-what-you-can face painting, rave braids, tarot readings, local vendors, food, and more.

Love Out Loud Fest believes that community should be accessible, welcoming, and filled with moments of joy. Everyone deserves a place to belong, connect, and experience life together and this festival exists to make that possible.

Cast of YOUR HANDS ARE THE ROAD, a musical about queer American history, posing on stage at ACT Louisville

LGBTQ+ Youth Invited to Help Shape New Musical on Queer History at ACT Louisville

LGBTQ+ and allied young people across Kentucky have a chance this summer to help build an original musical about American queer history, and organizers say extensive performance experience is not required.

Houses on the Moon Theater Company, in collaboration with History UnErased, Inc., is hosting a four-day creative residency for youth ages 13 to 23 at ACT Louisville. Participants will help shape a new original musical, YOUR HANDS ARE THE ROAD: A Ride Upon the Stage through Queer American History.

The project uses theater to bring often-overlooked stories from queer American history to life. It has been developed with support from the Library of Congress and has engaged students and educators across the country.

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The Louisville residency runs July 20 through 23, from noon to 3 p.m. each day at ACT Louisville. Participants must be available to attend all four sessions, and a modest stipend will be provided.

Organizers are seeking a diverse group of actors, singers, dancers, artists, and “deep thinkers” who are interested in exploring how queer history connects to their own lives, identities, and experiences. Through discussion, creative activities, and collaborative theater-making, participants will help shape the future of the musical while exploring questions about identity, history, belonging, and resilience.

Related: 25 Years Since The Real World: New Orleans: Danny Roberts on uplifting stories, increasing visibility, and the fight for queer History Unerased.

Related: Ashland Archivist Preserves Everyday Queer History Through ‘Our Community Filing Cabinet’

“We want to hear how young people relate to our shared queer history, what it makes them feel, what inspires them, and how these stories connect to their own lives,” organizers said.

Applications are now open. The deadline to apply is July 13, and participants will be notified by July 15.

For more information and to apply, visit the Student Residency Application Form.

Sandra Carpenter, Executive Director of Louisville Youth Group, smiling in front of a brick wall. The Louisville Youth Group logo appears to the right.

Louisville Youth Group Director Wants to Reach Rural Kentucky’s Youth

While attending Eastern Kentucky University (EKU), Sandra Carpenter came out as lesbian and joined queer and feminist organizations. That’s where her love for providing support to both LGBTQIA+ youth in metropolitan and rural areas began.

Carpenter was recently appointed as the Executive Director of the Louisville Youth Group, one of Kentucky’s well known LGBTQ+ organizations, and the oldest queer QTBIPOC organization for youth in the south. Now, her mission as director is to reach more rural parts of the state.

“I continued throughout my entire adult life as an out lesbian, so that has been something that has been interesting in terms of reconciling my rural roots with kind of more of the metropolitan queer culture. That is where a lot of my focus is on making sure that we are resources for both kids here in Louisville and continue to also try to build out that network of brave spaces for kids who may also be in more rural parts of the state,” said Carpenter. 

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Louisville Youth Group (LYG) is a Kentucky-based nonprofit dedicated to empowering and protecting LGBTQIA+ youth and has been active for 35 years providing youth with brave, safe and affirming spaces in which they can connect, develop leadership skills and advocate for themselves. 

Carpenter has a decade worth of experience in management and communications that she plans to bring into this role. 

“Whenever I came back to Louisville, my big goal was really to get back into this scene where I could use both my research and communication skills alongside my nonprofit experience,” said Carpenter. “I really just wanted to find a professional home where I could merge both in terms of what my values are and what the work is.” 

Her background ranges from working with Greater Louisville Inc. as the Community and Talent Engagement Manager to serving as the Communications Coordinator for the Louisville Pride Foundation. 

Carpenter believes in the strong impact that strategic storytelling has on extending reach and highlighting LGBTQIA+ communities’ voices. 

Carpenter said LYG’s storied history is hugely important in terms of making sure that the actual experiences of youth they serve are being heard.  

“Be that through advocacy, in terms of allowing experiences to be shared so that we can advocate for the best interest, but also just allowing folks in our organization, like through our youth leadership council, to have a real voice within the organization,” said Carpenter.

With growing political discrimination against the LGBTQIA+ community across the country, especially in the south, the importance of extending the reach of available resources to more communities is important to Carpenter. That’s why she wants to expand LYG’s footprint to include more rural areas in Kentucky to bridge the urban-rural divide that exists.

“Being from Eastern Kentucky, and realizing that LYG has such a presence here in the Louisville community, I think that we can become more known as a resource,” said Carpenter. “We could see more queer and trans youth organizations and resources being developed throughout Kentucky and Southern Indiana.”

Related: An Interview with Em Joy: Program Director for Louisville Youth Group

Related: Rural Kentucky Prides offer visibility, community and hope

While still in the works, Sandra  said she has strong intentions to work with existing GSAs (Gay Straight Alliance) groups across the state and to provide additional assistance to creating GSAs in other communities that request those resources. 

“My personal mission is to continue to create safe and brave spaces. These spaces are going to challenge folks in ways that help them grow,” said Carpenter. 

Carpenter’s work is driven by giving youth the space to become exactly who they are without fear. She draws from experiences she faced when she was aware of her identity as a high-schooler in rural Kentucky but felt unsafe for her to come out at that time, even with a supportive family.

“It was tricky for me to come out until I was able to find a community where I could see other people and hear from other people who shared my experiences,” said Carpenter.

Carpenter hasn’t been in this role long, but hearing of the years of impact LYG has had on the community feels heartening. “I’ve already heard from folks who’ve said if it weren’t for LYG, I would not be where I am today and it gave them the space to become exactly who they are,” said Carpenter. 

“For whatever work that I’m doing,” Carpenter said, “I want it to be intersectional and not just like in kind of the buzzwordy way. I actually want voices to be heard and to matter to actually have a stake in the decisions that we make. I want to make sure that we are both intergenerational and diverse.”

 

Seven Counties Services logo on a soft blue and pink gradient background, featuring a gold sunburst icon and navy blue serif text.

Seven Counties Services Hosts Free LGBTQ+ Wellness Event in La Grange

Behavioral health center Seven Counties Services will host “Rooted for Wellness,” a free event that includes music, connection, snacks, refreshments, and a safe welcoming space for the LGBTQ+ community to come together, relax and feel at home. 

Brydie Harris, community impact director, Seven Counties Services, says, “Rooted for Wellness is an annual LGBTQ+ centered open house and safe space we host at our La Grange site. We invite the community to join us to learn about our full range of behavioral health services in a warm, welcoming environment. Drop in anytime to tour the space, meet staff, ask questions, sign up for services, and enjoy arts and crafts, along with light refreshments.”

Related: Louisville Pride Put Mental Health Front and Center. The Need Doesn’t End When the Tents Come Down.

Related: Researcher creates study to explore mental health and resilience of LGBTQ+ youth in Appalachian Kentucky

The event will be held on June 27, from 10 a.m. to 2 p.m. at 2141 Spencer Court, La Grange. 

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Seven Counties Services is a Certified Community Mental Health Center that offers a full range of mental and behavioral health services, substance use treatment, and intellectual and developmental disabilities services in a seven-county region in Kentucky. Counties served include Jefferson, Oldham, Bullitt, Shelby, Spencer, Trimble, and Henry. Seven Counties Services is fully accredited by The Joint Commission and nationally recognized for effective services and treatments. 

A collage featuring a gloved hand holding multiple syringes against a pink and blue torn paper background with faded text reading "I'm not surprised by the lack of education anymore. I'm just tired. Does this feel safe to me right now?" On the right, a person in sunglasses and a keffiyeh blows bubbles at a protest, shown in a blue-pink duotone.

Barriers, burnout, and resistance: Trans Kentuckians and the fight for healthcare

When clients walk into one of psychotherapist Sebastian Hamilton’s Louisville offices, they enter a cozy haven filled with soft lighting and pillows, nature posters, art supplies, and baskets of fidget toys. A linocut art print hanging on the wall features the Mary Oliver quote: “You only have to let the soft animal of your body love what it loves.”

Hamilton, whose pronouns are he/they, strives to create the kind of supportive environment he experienced with a trans mental health professional when he was exploring his own gender identity. This work has been complicated over the past year amid growing anxieties about state and federal anti-transgender legislation.

Hamilton, who became a Licensed Clinical Social Worker in 2023 — the same year the Kentucky state legislature passed a sweeping ban on gender affirming care for minors — said, “I’ve been seeing an increase in anxiety and exhaustion, especially since Trump’s second term. I see a lot more hopelessness and weariness.”

He has also seen a rise in the primary contributing factors that lead to suicidal ideation: perceived burdensomeness and thwarted belongingness, which he attributed to “this administration’s policies and the ways the administration has made local communities feel less safe for us.”

“I see people at all stages of their transition journey, and there is still so much joy in our community, so much strength. But sometimes, the joy is harder to access because of the ways things are impacting us on the interpersonal and national level when we have new, harmful legislation coming at us daily,” he said.

The impact on trans health and healthcare

2025 marked the sixth consecutive record-breaking year of anti-trans legislation. In Kentucky alone, 18 bills were introduced, including KY HB 495, which banned Medicaid from covering trans healthcare.

Kentucky, 2025

18 anti-trans bills
introduced in 2025
KY HB 495 — banned Medicaid from covering transgender healthcare

Trans Legislation Tracker, translegislation.com

Anti-trans legislation introduced, 2022–2025

State bills vs. national bills — six consecutive record-breaking years

State bills National bills
900
600
300
174
 
2022
556
 
 
2023
716
 
 
2024
1,131
 
 
2025

Trans Legislation Tracker, translegislation.com

In this environment, patients seeking gender-affirming care, such as hormone replacement therapy (HRT) or surgery, are nervous about medical documentation. Colby R. Loew, MD, whose pronouns are she/they, is a queer family medicine physician in Kentucky who is passionate about trans healthcare.

“I love getting to care for my people, my community. I love getting to care for people who, in the past, maybe weren’t so excited about going to the doctor or who were too nervous to even access care,” she said.

However, over the past year, she has noticed increased anxiety in her gender diverse patients regarding medical documentation of pronouns, gender (if it differs from the one assigned at birth), and gender dysphoria.

As a result, Dr. Loew has also become more cautious about the medical codes she uses when charting. Medical codes, or ICD (International Classification of Diseases) codes, are part of an alphanumeric system for documenting patient symptoms and diagnoses.

Loew told Queer Kentucky, “I haven’t really even been using gender dysphoria much as a code because I don’t need to document it that way. I just use hormone replacement therapy.”

Loew sees this as less of a risk. While a diagnosis of gender dysphoria could identify a patient as transgender, cisgender people also receive hormone replacement therapy, such as cisgender women who take testosterone during menopause.

The U.S. Department of Justice’s July subpoena of medical records related to trans healthcare from over 20 healthcare institutions demonstrates that these records are not private or safe from government overreach. Additionally, given the government’s classification of trans people as “Nihilistic Violent Extremists (NVEs)” and extremists who adhere to “radical gender ideology” as seen in a leaked Intelligence Bulletin and a DOJ memo first published by independent journalist Ken Klippenstein, the hesitation to have one’s trans identity documented in medical records makes sense.

“People are scared. They don’t want the government to know they are trans. They don’t want the government coming after them,” Loew said.

Loew mentioned that she also practices more caution when recording names and pronouns in medical charts, asking patients, “Is it okay if I put this on your chart?” Loew explained that “a lot of people are still like ‘hell yeah!’ but lately I’ve had more people saying ‘maybe not right now.’”

Ari, whose pronouns are they/them, is a Louisville-based genderfluid death care worker who spoke with Queer Kentucky under a pseudonym for privacy and safety. At recent doctor’s appointments, they have felt anxious about documentation — not just as a trans person, but as the child of an immigrant navigating a political climate that has targeted multiple minorities at once.

“Some of my anxiety over visiting doctors is not ‘Will I be treated poorly?’ It is ‘Will I be notated in a way that’s going to come back to bite me in the ass later down the line?’”

When a doctor recently switched their name in the system to “Ari (they/them),” it showed up on their prescription. “That partially makes me happy, but also puts up more question marks than anything else. Does this feel safe to me right now?”

Barriers to access

Transgender adults and medical discrimination

1 in 3
delayed or avoided medical care due to fear of discrimination
1 in 2
experienced medical discrimination due to their transgender identity

University of Chicago & Center for American Progress

Genderqueer photographer Emmett Valentín, whose pronouns are they/them, is no stranger to that discrimination. During their teen years in foster care in Kentucky, the state forced them to take birth control despite negative side effects. They suffered from severe endometriosis and PCOS for years before opting for sterilization as treatment. Valentín’s Indigenous identity compounded this mistreatment, they said, recalling America’s legacy of reproductive violence against Indigenous, Black, and marginalized communities.

When Valentín began pursuing HRT, they faced invasive questions, unnecessary testing, and pressure to recount their trauma. “I was terrified of having a health care provider be shitty to me because I’ve had enough healthcare trauma from being assigned female at birth.”

They explained that when they switched from the gender-affirming online prescription service FOLX to an in-person endocrinologist, “She did the whole ‘tell me about all of your trauma,’” to which Emmett replied, “I’m not doing that. You’re not my therapist. I’ve been on this for two years now, and it’s doing great. I just need refill.”

Emmett Valentín’s endocrinologist experience

A timeline of barriers

 
 
Step 1
Switched from FOLX to in-person endocrinologist. Faced invasive questions and pressure to recount trauma.
 
Step 2
Slight increase in red blood cell levels. Doctor refuses HRT refill. Refers Emmett to Transform Health Clinic.
 
Step 3
Earliest Transform Health appointment: 9 months away.
 
Weeks later — 12:15 pm
Doctor calls with a cancellation at the Lexington clinic — appointment at 1:30 pm, 75 minutes away.
 
Emmett’s response
“So let me get this straight. You refused to give me a refill, and you’re telling me now, if I drop everything in the middle of my workday and drive over there in record time, then I’m worthy of having healthcare.”

“You have been singlehandedly, absolutely the most invalidating healthcare experience I’ve ever had, and I want you to sit with that.”

Medical providers across all levels have felt the chilling effect of these federal and state level threats. However, both Hamilton and Loew, the mental health and medical providers who spoke with Queer Kentucky, stressed the importance of not caving in to threats or executive orders, which are not legally binding.

Lack of trained physicians

Dr. Loew told Queer Kentucky that trans healthcare was not part of her medical school curriculum. During her residency, supervising physicians were often unwilling to prescribe hormones to trans patients. “It depended on who was there with me as my supervising physician on whether the patient could get what they needed,” she said.

Research corroborates her experience. While studies show that many medical schools do discuss the topic of transgender healthcare, a 2023 study from the Baylor University Medical Center found that this coverage is not comprehensive. A 2025 study with the Journal of Medical Education and Curricular Development found that medical education on transgender health is now at heightened risk of inadequate preparation for future physicians in the wake of Executive Order 14168.

Residency programs

How trans healthcare is covered in medical education

Periodically throughout curriculum52.5%
 
Discrete modules only34.4%
 
Not covered at all10.6%
 

Baylor University Medical Center, 2023 · 160 programs surveyed

Loew disclosed that much of her trans healthcare practice has been self-taught. “The minute I could get my DEA so I could prescribe testosterone, I did.” A DEA, or Drug Enforcement Administration number, allows medical providers to prescribe controlled substances like testosterone.

The training gap

Recognition of the problem vs. action taken

82.4%
of providers named lack of training as a key barrier (National Coalition for LGBTQ+ Health, 2023)

By 2025, providers who sought training:

Any affirming training30%
 
Clinical technique training22%
 

National Coalition for LGBTQ+ Health, 2023 & 2025

23%
of trans people
have found themselves educating their own medical providers about transgender healthcare

Center for American Progress

Tammy, a Louisville resident whose pronouns are she/her, asked to use a pseudonym for safety. At a recent appointment, a nurse questioned how she had breasts without implants, asked how to spell “vaginoplasty” multiple times, then swiveled her chair around and asked, “How do they do that?”

Tammy tried to keep it light: “You should probably ask my doctor. I wasn’t paying attention at the time.”

Years earlier, an endocrinologist told her, “Oh, I guess the estrogen is working” — apparently unaware that estrogen does not eliminate active facial hair follicles, and many trans women like Tammy use electrolysis or laser hair removal to eliminate unwanted body hair. “This wasn’t even just a primary care physician. He was an endocrinologist. At a basic level, he should know how different hormones impact the body, and he just didn’t.”

“I’m not surprised by the lack of education anymore. I’m just tired.”

Trans Kentuckians fear experiences like Valentín’s and Tammy’s could become more common with threats to federal funding for institutions that provide gender-affirming care and empowerment from state and federal governments to deny such care.

Trans Kentuckians refuse to disappear

Despite everything, many trans Kentuckians are hopeful — and organizing.

“Trans people are the least nihilistic people I know,” said Jaz Brown, whose pronouns are he/him. Brown started hormones in March and had top surgery in November. As Trans Health Coordinator for the Kentucky Health Justice Network, he helps people buy binders, apply for medical grants, find housing, and pay electricity bills.

Jaz Brown, Trans Health Coordinator, Kentucky Health Justice Network
“To pursue transition, to pursue gender affirming care is to say ‘Life has meaning. I want to live.’”

Brown urged those struggling to afford care to apply for a grant through KHJN, and drew on a longer history of resistance: “None of this is new. People need to look to their Black elders, their Black trans elders. The government is not going to save us. Organizations are not going to save us. Nonprofits are not going to save us. We have to save ourselves and each other.”

“I think that anticipatory compliance is what the federal administration” wants, Hamilton said. He continued, “Let’s see how many threats we can make to get people to do what we want to do without actually making it a law. Because some of this, we know, if it’s thrown to the courts is going to be thrown back out.”

Valentín finds empowerment in activism. Arrested in 2023 at the Kentucky state capitol while protesting KY SB 150, they shared their mugshot — wearing what they call a “shit-eating grin.” “I would love to see a full socialist revolution in my lifetime, and I am doing all I can to gear towards that.”

Ari hopes to begin microdosing testosterone this year. They limit media consumption, root themselves in community, and draw perspective from their Chinese identity. “This is the year of the Fire Horse. Fire Horse years historically have marked a disruption of the existing order. The last time this cycle occurred was in 1966, the start of China’s Cultural Revolution.”

Looking to past epochs of political upheaval and change is a stirring reminder to trans people, cisgender members of the queer community, and LGBTQ+ allies that oppressors do not grant freedom to the oppressed. Instead, the people must unite, build coalitions, and seize their rights through collective action.

As Leslie Feinberg reminds us in Trans Liberation: Beyond Pink or Blue, “Genuine bonds of solidarity can be forged between people who respect each other’s differences and are willing to fight their enemy together. We are the class that does the work of the world, and can revolutionize it. We can win true liberation.”

Opinion | J.P. Davis: Louisville Said LGBTQ+ People Were Welcome. That’s Not the Same as Being Chosen.

The views and opinions expressed in submissions to Queer Kentucky are those of the authors and do not necessarily reflect the official policy or position of Queer Kentucky. Any content provided by our submissions or regular columnists are of their opinion. As a reader, you are always welcome to submit your op-eds through our submission form.

I’ve gone back and forth on whether to write this. Part of me didn’t want to. Part of me is tired of having this conversation. Part of me already knows what will happen after I publish it.

But my entire career has been built on relationships – private conversations, picking up the phone before picking a fight. This time I’m putting down the phone and picking up a megaphone.

When the One Louisville board was announced – roughly 65 people chosen to help shape the future of this city – I did what I always do. I looked for us. I looked for openly LGBTQ+ leaders. I looked for openly gay men. And on a board of 65 people, I couldn’t find them.

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That’s not an oversight. That’s a choice.

Let me be clear about what this is not. This is not an attack on the individuals who agreed to serve on the board. I know many of them. I respect many of them. And this is not about me not being appointed.

I’ve been fortunate to serve in leadership roles across this city for more than two decades — the White House, the Kentucky Capitol, major nonprofit and fundraising leadership, and as co-founder of the LGBT Chamber of Commerce. I’ve been in the rooms where decisions get made. I know what those rooms look like. I know who tends to be in them.

That’s exactly why I’m writing this.

Because after 26 years of private conversations, quiet advocacy, recommended names, and carefully placed phone calls, I looked at that list and I wasn’t surprised. And that moment, that complete absence of surprise was more damning than the board itself.

Louisville is full of qualified LGBTQ+ leaders. We always have been. But if the people designing these processes cannot identify us without being prompted, their networks are too narrow and their processes are failing. Talent has never been the issue. The recognition has.

What weighs on me most isn’t the board. It’s the people who are gone.

I’ve watched smart, successful, deeply talented LGBTQ people leave Louisville for Atlanta, Chicago, Nashville, Washington, and New York. Not because they didn’t love this city. Many of them did – fiercely. Not because they wanted to leave Kentucky, many of them didn’t. They left because they got tired. Tired of waiting. Tired of being overlooked. Tired of hearing that their time would come. Tired of being welcomed socially but passed over professionally. Tired of being invited to the party but never trusted with the keys.

Every time someone leaves, Louisville loses a future board member, a future executive, a future elected official. Then we act surprised when leadership keeps looking the same.

I want to be honest about what real support looks like — because Louisville has gotten comfortable confusing celebration with inclusion. A rainbow logo in June does not mean inclusion. A Pride parade appearance does not mean inclusion. A statement about belonging is not inclusion. Those gestures have value, but they are not the measure of leadership. The measure is who gets recruited. Who gets mentored. Who gets appointed. Who gets trusted. Who gets chosen.

If Louisville wants to call itself an inclusive city, inclusion has to mean more than who is welcomed to celebrate. It has to mean who is invited to lead.

I want to be clear about something else. I am genuinely optimistic about what One Louisville could be. The vision is right. The moment calls for it. And I’ve had the chance to meet the new director. I like him. I believe he’s the right person for this. He’s thoughtful, he’s serious, and he clearly cares about getting it right.

But he’s also new to Louisville.

And when I look at that board — at who was chosen and who wasn’t — I have to ask whether he made those decisions, or whether those decisions were made for him. Because if a leader who wants to do things differently is handed a structure built by the same hands that built every structure before it, the outcome shouldn’t surprise anyone.

That’s not a failure of his leadership. That’s what happens when new leaders inherit old networks.

And that pattern — more than any single board — is what Louisville has to break.

Related: Civitas opens nominations for inaugural LGBTQ+ Awards Ga(y)la in Louisville

Related: Living authentically with a Louisville sweetheart, Ashland native, JP Davis

To Louisville’s civic leaders, I ask one thing. Look at the last ten people you appointed to anything — a board, a commission, a task force, a working group. Who was included? Who wasn’t? And what does that pattern tell you about the people in your circle and the reach of your process?

Because diversity is not measured by intention. It is measured by outcome.

To my own community: we are not without responsibility here. Too many of us have waited for permission that was never coming. Apply. Run. Serve. Seek appointments. Join boards. Raise your hand — and if the answer is no, ask why, put it in writing, and ask again. We cannot demand a seat at the table and decline to pull up a chair.

I love Louisville. This city shaped me. It gave me opportunities I am genuinely grateful for. And because I love it, I refuse to keep pretending that the progress matches the story we tell about ourselves. Louisville does not have a pipeline problem. Louisville has a recognition problem.

Being welcomed is not the same as being trusted. Being trusted is not the same as being chosen. And until this city learns the difference — really learns it, in its processes and its appointments and its circles of power — we will keep losing the people who should be helping lead it.

Louisville can do better. It’s time to prove it.

 

Headshot of J.P. Davis, a white man with dark hair wearing a brown tweed blazer and patterned shirt, smiling outdoors.

J.P. Davis, Louisville civic leader, co-founder of the LGBT Chamber of Commerce

 

J.P. Davis is the Founder and CEO of JP Davis Partners, a Louisville-based nonprofit consulting and fund development firm, and CEO of K9s.org, the nation’s leading nonprofit deploying trained K9s to law enforcement and schools. Davis is the Co-Founder of Civitas, a chamber of commerce for LGBTQ+ and ally businesses serving the Ohio River Valley region including Kentucky, Southwestern Ohio, and Southern Indiana. He lives in the Highlands with his labradoodle, Dallas.

A collage of the Louisville Metro Council chamber tinted in pink and blue, with a torn paper effect overlaid, symbolizing the divided community response to Louisville's proposed Trans Safe Haven ordinance.

A Louisville Ordinance Promises to Protect The Transgender Community. Some Advocates Aren’t So Sure.

Editor’s note: This story was published in June 2026. Some details may have changed since then.

A Louisville ordinance meant to protect transgender people from state and federal crackdowns is heading to a committee hearing this week. The law would declare Louisville a safe haven for transgender people.

But discussions between those who wrote the ordinance, LGBTQ+ organizations and other stakeholders across the city have been fraught. A debate has raged over whether or not the ordinance will actually help the community it aims to protect.

It continues to face what two local leaders in talks called “an impasse”.

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In a press conference in April this year, District 6 Louisville Metro Democratic Councilmember and Democratic Socialists of America (DSA) member J.P. Lyninger (he/him) introduced the “Safe Haven Law,” that would protect the rights of transgender and gender non-conforming people” He highlighted the support for the ordinance by quoting more than 3,000 signatures from local organizations and residents.

What the Trans Safe Haven Ordinance Would Do

Ordinances like the Trans Safe Haven come on the heels of real concerns that impact gender non-conforming and BIPOC transgender communities as state legislatures continue to introduce and pass anti-LGBTQ+ legislation and normalize anti-trans rhetoric. The Buckeye Flame, an LGBTQ+ news organization covering Ohio’s communities, reported Cleveland Heights and Athens were two cities that voted to enact trans safe haven resolutions.

An ordinance differs from a resolution in that a resolution is a formal statement of a city’s position or policy on an issue, while ordinances are permanent laws that govern jurisdictions and agencies and include penalties. Resolutions are largely symbolic gestures, and ordinances regulate people and property in the city.

The ordinance, drafted in collaboration with Lyninger’s legislative assistant Nick Conder (they/them) and Dare (she/her), a staffer who is a member of the DSA, aims to do approximately five things to offer protections to trans people. Conder said it was modeled on sanctuary city ordinances that were passed in cities to protect immigrants and their rights.

According to the ordinance, Louisville Metro would not use city resources, defined in the ordinance as “time spent by Metro employees, officers, or contractors while on duty, or the use of Metro Government property,” to:

  • Detaining persons for seeking or providing gender-affirming healthcare.
  • Providing information about a person’s gender identity as a transgender or gender non-conforming person to the federal government or any state or local government.
  • Restricting the ability of transgender or gender non-conforming people to access any public accommodations, programs, or services provided by Louisville Metro Government, based on their gender identity.
  • Not to prohibit entertainment by male or female impersonators or prohibitions on performers wearing non-stereotypical dress or costume based upon the entertainer’s actual or perceived gender.
  • Sections V, VI and VII detail training on provisions that would be provided to Metro Government employees, and disciplinary policies up to and including termination for employees who violate the ordinance. 

The ordinance defines gender non-conforming clothing as “Clothing, hairstyles, makeup, or accessories that deviate from traditional societal expectations of how a person should appear based upon their assigned sex at birth.”

But significant gaps persist.

The extent of what constitutes “gender-affirming care” has not been detailed, and how this would impact medical providers and grassroots groups working to bring healthcare to trans and gender non-conforming people. What constitutes “sensitive information” is undefined under the ordinance, which could span medical records, legal documents, birth certificates. But there are no further specifics on training, agencies involved and disciplinary measures.

From Resolution to Ordinance: How the Draft Took Shape

Meetings with community members, DSA members and LGBTQ+ organizations in the city were described as “contentious” by attendees who spoke to Queer Kentucky. Discussions about the ordinance first emerged in 2025 and have evolved around the strategy, approach and language within it.

While organizers and grassroots groups acknowledged that the intentions behind the ordinance were good, an overarching concern remains: whether the draft ordinance – numbering five pages – is robust enough to ensure the safety of the community, the timing of the legislation and the potential for blowback from anti-trans conservatives at the state and local level, regardless of the legislation passing or failing.  

Nick Conder, Lyninger’s legislative assistant who co-authored the ordinance, said it was initially submitted as a resolution, but was rewritten as an ordinance, with input from the Jefferson County Attorney’s Office, and introduced at the end of March 2026.

The idea of a trans safe haven sanctuary policy received attention soon after December 2024, shortly after President Trump was elected. 

“Especially in the beginning of last year, there was a flurry of executive orders that seemed to be kind of confusing, and states were passing laws. Kentucky has relatively unfriendly laws towards trans people,” Conder said. 

In early conversations about the ordinance, Conder said they got the impression that people mostly wanted to see the city take a stance on using the city government to enforce transphobic federal policies or to comply with out-of-state transphobic policies. The DSA has also received the backing of many student groups, has members and representatives who are transgender

But timing matters, said many LGBTQ+ groups and nonprofits in the city. Discussions around the timing of the legislation have gone by the wayside, according to some community members, leaders and activists of organizations that have had a long-standing presence in the LGBTQ+ community.

“Why Now?” The Debate Over Timing and Risk

For many years, a familiar face has emerged at rallies, legislators’ offices and the Kentucky State Capitol’s rotunda. Chris Hartman, executive director of the Fairness Campaign, has been part of the coalition of leading advocacy and lobbying efforts to thwart anti-LGBTQ+ bills, engage with communities and legislators, and push for laws that protect LGBTQ+ Kentuckians.

The Kentucky Legislature has, according to Hartman, been using the LGBTQ+ community as a boogeyman. And the possibility of being hypervisible due to the proposed Louisville ordinance, “could put a target on our backs.”

“Upon deep analysis, this is a symbolic piece of local legislation only, and it is not worth the risk of what could happen in Frankfort to pass a straw man ordinance,” Hartman said.

“As we look at the proposed ordinance and particularly in consultation with transgender leaders, and leaning on the leadership on Black trans leaders in Kentucky, we determined that the ordinance would not have an impact on their lives.”

He added, “It is trying to pre-empt state and federal laws, the likely, and instead the likeliest outcome that a successful ordinance passage would have would be retribution from conservative lawmakers in Frankfort who would see it as an opportunity to advance really egregious anti-trans legislation, which they are always considering doing, but as this year, you know, we can have success even in trying times.

Conder, co-author of the legislation, views this impasse as a clash of political strategies. Playing defense and trying not to provoke the legislature, they said, works most of the time, but it doesn’t work 100% of the time. They see trying and failing to pass legislation as a part of the process.

“If you’re not ever gaining any ground, you’re dying by inches,” Conder said.

Related: Barriers, burnout, and resistance: Trans Kentuckians and the fight for healthcare

Related: Why doesn’t Kentucky have a statewide fairness ordinance?

Some Trans Leaders Say the Ordinance Misses the Mark

When Alden Jones (they/them), a trans academic based in Louisville, first asked people if they’d heard of the trans safe haven ordinance, they heard positive responses. They were excited at the prospect of an ordinance that would protect trans people in Louisville.

“People had signed on, but [I asked] “did you read it?” and then I read it, and then I wasn’t anymore,” they said.

They attended the most recent meeting in April and said they had noticed a power differential. 

They said they were concerned about the lack of voices in community input around the ordinance. They’re also in favor of solutions like a needs assessment or wider study around concerns of transgender Kentuckians across socio-economic classes, race, and material realities. But the space for that conversation, Alden finds, is limited.

“If you are trying to get something done, and you meet resistance, you don’t wait for the resistance to come to you with solutions. You seek out the solutions and the amendments from established organizations,” they said.

The lack of definition on terms like “gender affirming care” or “information” or how they would be used against trans people without further explanation worries Jones.

“I think we can work together to get something going socially and work on an ordinance that helps real things. I just want the things that help us to benefit everyone so it helps them,” Jones said.

Jaz Williams, (he/him), Trans Health Director at the Kentucky Health Justice Network and a Black trans person, directly works in providing resources for gender-affirming care, which is mentioned in the ordinance.

The fundamental disagreement he has with the DSA is the lack of an intersectional approach to the ordinance. “Being trans and being seen as trans is different for Black and brown communities. The biggest harm is visibility.” In one meeting, Williams said he observed an unequal racial dynamic in a DSA meeting that included trans members. 

Gender affirming care is hard to get. One thing Williams pointed out was the sudden mention of Flock cameras brought up in meetings by DSA members that could potentially be used to track trans people getting gender affirming care, though there is no documented evidence of it happening, nor is it in the current ordinance.

“It doesn’t make sense. Because anyone who is getting subpoenaed from another state for travel for healthcare, unless that state they’re travelling to they get the healthcare in, isn’t going to comply. The mom of the trans kid who takes her kid to Illinois once every couple of months for puberty blockers: It doesn’t matter that she goes dark in Louisville, say we even comply with that. The moment she ends up in Indiana and Illinois, they’re not going to comply. What does it do to protect people?” he said.

The DSA members who authored the legislation did not reach out to KHJN, he said. “It’s problems that aren’t there. It’s a problem that we haven’t experienced yet. And if these are problems, we don’t have the apparatus for it.”

“It only fearmongers and creates problems where they’re not there. And if anything, it gives their enemies the playbook that they didn’t know they had,” he said.

What a Stronger Ordinance Could Look Like

For Tamarra Wieder, the Director of Planned Parenthood Kentucky, any legislation that could potentially impact rural communities by a new preemption from the Kentucky legislature should be centered around marginalized and impacted communities, even if it’s a Louisville Metro Council ordinance.

“I think when there are Black and brown trans Kentuckians, when there are rural voices who are not feeling centered in a conversation, who are especially not centered in a conversation that is going to impact their futures. I think that’s when we take a pause, and we need to find a middle ground on making sure that whatever is being moved forward best centers their needs, especially on a piece of legislation that is going to get a lot of attention from the opposition.” 

For over 25 years, Louisville has had a Fairness Ordinance in place, thanks to a coalition of organizers across the state. The ordinance has now spread to 23 other cities in Kentucky. Wieder says fairness is a successful movement-building model that focuses on building coalitions.

“There’s still the Fairness Coalition that is across the Commonwealth, you know. We haven’t really seen DSA [operate] in the same way that Fairness has,” Wieder added.

Wieder doesn’t see this process as an impasse, but she’s been trying to push for more discussion and a potential redraft.

“We can listen to the Trans Health Kentucky Network, see what they’re hearing, and see what’s needed. We can look at what the students are feeling. We can see where the gaps from the fairness ordinances are,” she said.

The ordinance is set to come up in a Louisville Metro Council committee hearing on Wednesday, June 3. 

 

The official Kentuckiana Pride 2026 event graphic featuring rainbow-colored bold text and an illustrated bridge in Pride colors against a blue background, with the word "Saturday" in the corner.

Kentuckiana Pride Cancels DJ’s Appearance After Backlash Over IDF Military Service

Editor’s note: This story was published before Kentuckiana Pride’s June 20, 2026 festival.

Louisville’s Kentuckiana Pride announced late Tuesday night that it would no longer have gay celebrity DJ Eliad Cohen of Miami Beach perform during its annual event on June 20 as part of its entertainment lineup that also included Drag Race superstar Alaska and other acts.

Cohen served in the Israeli Defense Forces (IDF), the country’s military. Military service is mandatory in Israel for citizens, with men required to serve at least 32 months of military service, while women must serve at least 24 months. 

Kentuckiana Pride posted on social media that it would no longer feature Cohen. 

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“We recognize our recent statement profoundly upset the Kentuckiana community and after discussions with Eliad Cohen, it was agreed to remove Eliad from our lineup. Recent developments surrounding this booking had become a distraction from the core purpose of Pride,” the organization said. 

Louisville’s Party for Socialism and Liberation on social media had called for a boycott of Kentuckiana Pride due to Cohen’s military past in light of the current violence in Gaza. Instagram posts from the group criticizing the pride organizers have garnered thousands of reactions.

“With the booking of Former IDF [soldier] Eliad Cohen, Kentuckiana Pride has made it clear that they don’t believe in the original meaning of Pride as a protest for queer rights, and instead stand for oppression and occupation. Boycott @kentuckianapride and DEMAND that they REMOVE Eliad Cohen from the lineup!” the account wrote. 

The current war in Gaza began on October 7, 2023, after the militant group Hamas, which governs Gaza, launched an attack on Israel that killed more than 1,200. Israel then retaliated by invading Gaza. Over 72,000 people in Gaza have been killed since Israeli military forces began attacking the enclave. A ceasefire between Israel and Hamas was agreed to in October 2025, but both sides have accused the other of violating it. Human rights groups have condemned Israel and its military for what it has said have been systematic abuses against Palestinian citizens in Gaza — abuses a U.N. inquiry found constitute a genocide.  

PSL’s post has more than 4,000 likes and hundreds of comments. The group also released a letter against Cohen’s selection. 

“By inviting Eliad Cohen to perform at Kentuckiana Pride, we are normalizing this violence and perpetuating the false idea that Israel is a safe place for queer people,” the letter said. 

Almost 850 people have signed the letter out of a goal of 1600 from the organizers. 

In response to the calls for a boycott, Kentuckiana Pride initially released a statement online refusing to change its lineup. 

“Pride has always been rooted in the belief that LGBTQIA+ people from all backgrounds, identities, nationalities, and lived experiences deserve visibility, dignity, and a sense of belonging and our lineup reflects this broad community. The lineup aligns with our mission to create a diverse and inclusive celebration that reflects the LGBTQIA+ community’s broad spectrum,” the organization said in a statement posted earlier on Tuesday. “At its core, Pride is about creating space for connection, celebration, and humanity, especially during times when division and pain may feel overwhelming. Kentuckiana Pride Foundation remains committed to fostering a welcoming, safe, and inclusive environment for all.”

Louisville PSL blasted Kentuckiana Pride over that initial statement. 

“After receiving backlash from the Louisville and surrounding area communities, Kentucky Pride doubled down on their decision to platform former IDF soldier Eliad Cohen…As long as Zionism is on the lineup, we’re boycotting Kentuckiana Pride!”

Related: I am Palestinian, Gay & Kentuckian: ‘Prevent the eradication of my people’

Related: Op-Ed: On Supporting a Free Palestine as a Queer, Rural Kentuckian

Others had already canceled Cohen’s appearance at their pride-related events, including local drag bar Play Louisville, which had previously invited Cohen to perform. 

“WE heard YOUR feedback on the event organized by Kentuckiana Pride, and we’ve removed the DJ from the event,” Play Louisville wrote on Facebook on Monday.

Louisville indie rock band Sydney Sleadd and The Swarm canceled its appearance at the event. 

“We were so excited to play the Kentuckiana Pride Festival, however we cannot in good conscience move forward with this performance,” the band announced online Tuesday. “The community spoke up and there was an opportunity to listen and amend, but that opportunity was not taken so we have decided to withdraw from this festival.”

In its announcement about Kentuckiana Pride’s lineup change, the group acknowledged the backlash over its previous statement.

 “For more than two decades, Kentuckiana Pride Foundation has remained committed to celebrating, uplifting, and supporting the LGBTQIA+ community across Kentuckiana. We recognize this situation prompted strong emotions and differing perspectives within our community. We also understand many wanted more immediate communication from our organization. As an all-volunteer non-profit serving a broad and diverse community, thoughtful dialogue is an important part of our decision-making process,” it said. “Personal threats, harassment, and safety concerns directed toward volunteers, organizers, performers, and community organizations are unacceptable. Pride should be rooted in celebration, respect, and community.”

Advocates meet with a Kentucky lawmaker in his Frankfort office during the 2026 legislative session. A photographer documents the visit, which included a Martin Luther King Jr. tribute display and a "We Can Do It!" poster on the wall.

Kentucky Passed Zero Anti-LGBTQ+ Laws in 2026. Here’s How Advocates Made It Happen.

When Kentucky lawmakers wrapped up the 2026 legislative session earlier this month, they gaveled out and went home without passing a single anti-LGBTQ+ bill.

It is a reprieve from a heavy onslaught of high-profile, targeted laws coming out of Frankfort over the last few years — years that saw measures limiting access to gender-affirming care, kicking transgender girls and women from sports teams, and reversing a short-lived ban on “conversion therapy.” 

The legislature — where four of every five seats are held by a Republican — didn’t even show much appetite for such legislation this year, with only two of the 10 anti-LGBTQ+ bills filed getting any sort of vote. 

Kentucky’s uneventful session clashes with a federal landscape that is increasingly toxic towards the LGBTQ+ community, particularly those who are transgender or gender-non-conforming, and as hundreds of bills are being considered in other states after a record-breaking year of anti-trans legislation. 

So, what worked?

Advocates pointed to two key things: The work of existing groups with the power to directly lobby lawmakers, and the voices of everyday Kentuckians who spoke up throughout the session.

“Nothing ‘just happens’ in Frankfort,” ACLU of Kentucky spokesperson Eric King said. 

A final status update on anti-LGBTQ+ bills

 

Kentucky lawmakers filed ten anti-LGBTQ+ bills during the 2026 legislative session.

Of those, only two — Senate Bill 72, which would’ve given health care professionals clearance to refuse to provide any treatment that violated their conscience, and House Bill 468, which initially would’ve made it more difficult to enforce local fairness ordinances — got any sort of vote.

Both passed out of a committee and went on to pass out of their chamber of origin, before not moving in the other chamber.

The remaining eight bills covered everything from additional limits on gender-affirming health care access, to requiring Kentucky to only recognize two genders, to ways to make it easier to sue a city over its fairness ordinance. Many of these have been filed in previous sessions in some capacity, where they also saw little to no success. 

Some touched on hot topics from recent years, including the unsuccessful resurrection of an anti-drag bill and a measure to implement a “bathroom ban” for government buildings sparked by a 2025 incident in which a Republican lawmaker accosted a transgender woman using the women’s restroom at the state Capitol. Despite fervor, both past and present, around both, neither bill advanced.

A high-profile Senate bill to kick trans teachers out of classrooms got withdrawn without getting a committee assignment. Its bill sponsor filed it as a last-second floor amendment, but it too died without a vote.

Here’s how everything shook out. 

 

Who lobbied Kentucky lawmakers on anti-LGBTQ+ bills?

 

Millions of dollars are spent each year to lobby Kentucky lawmakers in Frankfort, hoping to better a bill’s chances of passing, stop legislation, or at least weaken its blow.

A Queer Kentucky analysis of public lobbying records for the first three months of the 2026 legislative session (aka, all but the final three days) found nearly 40 different groups or organizations that lobbied lawmakers on at least one anti-LGBTQ+ bill at one point in the session.

As a collective, the organizations on file range from everything from insurance associations to The Kentucky Center for the Arts foundation to those representing breweries who host drag shows.

A variety of faith-based coalitions, education groups, and social justice-focused organizations regularly lobbied on these bills, as did a series of health-related groups representing psychologists, social workers, doctors and at least one hospital chain.

Lobbying records don’t typically explicitly say a group’s stance on a bill, just that they reported lobbying on it. And some of the bills on this year’s anti-LGBTQ+ list had ramifications outside of the LGBTQ+ community.

Some of the groups known to oppose LGBTQ+ rights, like the Alliance Defending Freedom’s lobbying arm, ADF Action, reported only lobbying on one or two anti-LGBTQ+ bills this session.

But three groups easily outnumbered the rest, with two of those groups being pro-LGBTQ+ and the other not.

 

A smiling woman in a light blue cap holds a handmade sign reading "Make America Great Again With LGBTQ+ Pride" featuring a rainbow and the words "Love Wins" and "Love is Love" during a crowded public hearing.

A supporter holds a handmade LGBTQ+ pride sign during a public hearing at the Kentucky Capitol Annex during the 2026 legislative session. Photo by Skylar Davis.

The Fairness Campaign and Kentucky Competes, a group that lobbies on LGBTQ+ issues from a business and economic development angle, routinely lobbied in favor of LGBTQ+ issues. The Family Foundation, a socially conservative group, typically lobbied against the same bills, as frequently as the Fairness Campaign and Kentucky Competes lobbied for them.

“The Fairness Campaign has worked hard in recent years to strengthen relationships on both sides of the aisle and encourage state lawmakers to focus on kitchen table issues that positively impact all Kentuckians, rather than engage in divisive culture wars that harm our most vulnerable communities,” Chris Hartman, the leader of the LGBTQ+ advocacy organization the Fairness Campaign, said.

This year’s success “is thanks to that intentional and difficult relationship building,” he continued,  and was bolstered by an “expanded lobbying team.”

Eric Russ, who leads the Kentucky Psychological Association, said their group has also worked on developing relationships with lawmakers so they can be “an ongoing trusted source of mental healthcare information for policymakers.”

KPA, Russ said, “works hard to ensure legislators understand both the psychological science of gender and sexual identity and the impact legislative policy has on the mental health of people in those communities.”

One example is the group’s quick statement opposing SB 351, the anti-trans teacher bill, which “helped legislators and other advocates understand the problems with the bill’s mechanisms and its wide-ranging impact.”

Thanks to quick pushback to the bill both when it was first filed and later in session when the bill sponsor tried to sneak it into a different bill at the last minute, the concept never budged in the legislative process.

Showing up still possible, still critical

 

2026’s legislative session was the first where the Capitol and the House and Senate chambers were closed to the public.

The Capitol’s closure — due to multi-year renovations — sparked concerns of weakened transparency and limited moments to make voices heard over legislation. Heading into the session, advocates and lawmakers told crowds at Queer Kentucky’s legislative preview panels that showing up — even if it is just to watch a committee meeting or briefly talk to a lawmaker in the Capitol Annex, which remained open — could have major impact. 

“It really does matter that people show up,” Hartman said at an early December panel in Newport. “Every time we can fill the chamber with bodies, it gives more people pause than you might know.”

Several groups ultimately were still able to rally the troops, show up in Frankfort and contact their lawmakers.

“Anti-LGBTQ+ and anti-immigrant bills didn’t pass in the 2026 legislative session because of well-organized, relentless advocacy across sectors,” King with the ACLU explained. “Directly impacted people showed up and testified. Coalitions mobilized calls and emails. Volunteers put in the work, day after day.”

Dr. Jacks Gilles, a psychologist based in Louisville, testified against SB 72, one of the only anti-LGBTQ+ bills that made it to a committee hearing. The bill would have allowed a broad range of medical practitioners to refuse to perform services if they felt it violated their “sincerely held religious, moral, or ethical” beliefs.

They said that the bill would have taken away the necessary checks and balances already set by licensure boards, and create more of a power differential between medical professionals and patients. That would lead to people, especially LGBTQ+ people, avoiding medical settings.

“Several of us have had experiences of surgeons coming in before the surgery and asking us to pray for us, but when you take a vulnerable situation and ask them to engage in their religious practice, it’s from a lack of understanding of holding differences as medical providers and still maintaining dignity,” they said.

No one in committee testified in favor of the bill, they said, aside from the lawmakers who supported the bill.

“I would like to encourage getting people involved by voting, coming out to Frankfort and having conversations with lawmakers, even if it’s not to testify against a bill. It’s helpful as well to not feel so isolated,” they said.

Creating Change 2027: Nation’s Largest LGBTQ Conference Coming to Louisville

Editor’s Note (July 15, 2026): Registration for Creating Change 2027 is now open here.
(June 16, 2026): Proposal submissions for Creating Change 2027 are now open.

Here’s the full timeline to mark on your calendar:

 

  • Call for Proposals: June 15 – September 15, 2026 — Submit here
  • CC27 Kick-off Reception: August 25, 2026, Louisville
  • Registration & Host Hotel Booking Opens: July 15, 2026 – Register here
  • Proposal Accept/Decline Notices: November 5, 2026
  • Conference Schedule Announced: December 15, 2026
  • Registration & Host Hotel Booking Closes: January 6, 2027
  • Creating Change 2027: January 27–31, 2027, Louisville

 

The National LGBTQ Task Force, a progressive advocacy nonprofit that serves LGBTQ people and organizations across the country, has announced Louisville as the host city for Creating Change 2027, the nation’s largest annual conference of LGBTQ organizers and advocates.

Four LGBTQ conference attendees laugh and pose outside the Rio hotel in Las Vegas, one person being lifted by the group, with palm trees in the background.

Attendees celebrate outside the Rio hotel during Creating Change in Las Vegas. Photo by Carina Mask.

The gathering is “a mix of day-long institutes, keynote presentations, annual awards, and more than 100 workshops and caucuses,” according to the organization’s website. It rotates cities each year and Creating Change 2027 will be held in Louisville next year from January 27th to 31st. This year, the conference was hosted in Washington D.C.

Louisville was chosen in partnership with local organizers, nonprofit leaders, and community advocates across Kentucky. The Kentucky-based organizations involved in the conference are The Fairness Campaign, ACLU of Kentucky, Kentucky Health Justice Network, and Sweet Evening Breeze, along with youth-led, QTBIPOC-led, and trans-led grassroots organizing efforts across the state.

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“Across Kentucky, community organizers and advocates have built durable infrastructure while navigating escalating state-level attacks, particularly targeting trans communities,” said Fernando López, Senior Strategist and Creating Change Director at the Task Force.

A diverse crowd of LGBTQ conference attendees seated in a large ballroom at a Creating Change conference, smiling and engaged with a presentation.

Attendees gather at a past Creating Change conference hosted by the National LGBTQ Task Force. Photo by Michele Dearing.

“Kentuckians know how to defend local gains, advance policy where possible, and build coalitions that hold under pressure. This is exactly the kind of leadership Creating Change attendees can learn from,” they said.

Chris Hartman, Executive Director of The Fairness Campaign, said it’s been “a dream” to welcome the nation’s foremost LGBTQ conference to Louisville.

“Our Commonwealth has a long history of civil rights leadership, and I’m excited to build on that legacy with the brightest minds in LGBTQ advocacy from all across our country,” Hartman said.

Related: Creating Change 2027 Is Coming to Louisville. Here’s What to Know.

Related: 25 Faces of Fairness: Chris Hartman

The Task Force will work closely with partners across Kentucky to develop programming and engagement opportunities that reflect the depth of organizing in the region, according to the organization’s press release. Organizations can look out for an open call for proposals and submit ideas between June 15th and September 15th, 2026. Those planning to attend Creating Change 2027 in Louisville can register and book the host hotel starting July 15, 2026. 

The Creating Change Kick-off Reception will be held on August 25, 2026 in Louisville. More information is available at the conference’s website. 

 

A CAN Community Health mobile health van parked inside a conference venue next to a Creating Change Health and Wellness Space sign.

A CAN Community Health mobile unit at a past Creating Change conference, offering free health screenings and harm reduction resources. Photo by Carina Mask.

Gov. Andy Beshear speaks at a podium at the 2026 Fairness Rally in Kentucky.

Live Blog: Tracking the final days of Kentucky’s 2026 legislative session

As Kentucky’s 2026 legislative session winds down, Queer Kentucky will be keeping y’all updated throughout all of it. 

Lawmakers will meet Tuesday and Wednesday to pass any final legislation before the veto period begins Thursday — a two-week-ish period where Gov. Andy Beshear will be able to sort through all of the bills on his desk and decide what to do with them. 

Basically all of this year’s anti-LGBTQ+ legislation is dead, which means it can’t pass this session, but Frankfort can be sneaky, so we’ll still be watching. (Plus, they have a ton of important stuff to get through over the next two days, including the next two-year state budget.) 

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This story will be regularly updated over the next few days with any important happenings or interesting tidbits, so bookmark it, check back frequently and share it with your friends so they can do the same. 

Keep an eye on Queer Kentucky’s social media pages for any major news, and feel free to contact lead politics writer Olivia Krauth at [email protected] with any questions or thoughts you have about bills or the legislative session. You can also give us your thoughts in our 2026 politics survey.

New posts will appear below this line, with the newest stuff being first. Be sure to scroll down to see any older content you may have missed. 

10:35 p.m. Wednesday — Winding down

We’re starting to wind down for the evening, and it looks like the Senate is officially NOT going to take up HB 759.

Anything can still happen, technically, but the Senate is currently taking a break and waiting on a few final things to come over to them from the House side. Typically, when they hit this phase of the session, the Senate is very uninterested in resurrecting legislation they could’ve passed by now.

The House is also taking a break. Everyone is actively taking breaks.

8:15 p.m. Wednesday — Dinner is (almost) done

The House is back and powering through legislation, but the Senate is still finishing up its dinner recess.

That big $800 million one-time spending package I mentioned? Turns out it is now $1.7 billion in spending across 300 projects. I’m still wading through what those projects are.

6:15 p.m. Wednesday — Slowing down, but not done

Things are starting to slow down a bit for dinner, but we’re still expecting a late night.

I’ve lost track of how many bills are in conference committee mode right now. A lot of contentious stuff (at least between lawmakers) is actively being decided behind closed doors.

5:10 p.m. Wednesday — Crunch time

We’ve got about seven hours until lawmakers need to shut things down for the veto period, and I can’t tell if things are starting to slow down or they’re about to speed up. Several big-deal bills are still up in the air.

After passing the budget bills, the Senate took a break for caucus meetings. They still haven’t done anything with HB 759, and they don’t look particularly poised to do so.

When they get back, they’ll need to deal with (or not, I guess) several major issues. The House just rejected their changes to this year’s big Medicaid bill, so they’ll need to either recede from those changes or push the debate on Medicaid into conference committee mode.

They’re also running out of time to handle housing reform, one of their priorities of session. The House threw several housing reform bills into one and passed it earlier today, and now the Senate needs to accept those changes or push this into conference committee mode, too.

Other things that are still a major question mark include what is included in House Bill 900 — the state’s $800 million one-time spending bill — and what they’ll do with the JCPS board.

Meanwhile, the House is debating the budget bills now.

4:10 p.m. Wednesday — Is that a budget I see?!

At long last, lawmakers in the Senate are sharing details about the next state budget. Technically, budgets, because they have separate bills to deal with different branches, but still.

The budget has been in the conference committee process for the last several days. This is when the House and Senate don’t like each other’s versions of a bill, so a group of them sit around and try to find a compromise. This process is pretty behind-the-scenes, so we’re actively learning what the final budgets look like and it may still be a bit before written copies of the final bills are online for public viewing.

The main budget is House Bill 500. Senate A&R Chair Sen. Chris McDaniel said several state agencies will see a reduction in funding over the next two years, but did not say specifically which ones.

Something important to note: Unlike with most bills, Beshear can veto just parts of budget bills. So, if he generally likes the budget, but doesn’t think a certain thing should get funding, then he can line-item veto it. The legislature, though, can still override him (and they almost always do).

1:50 p.m. Wednesday — Just chillin’ (day two)

Once again, greetings from Frankfort!

Yesterday was pretty stop-start-stop-start, with long periods of lawmakers breaking for caucus meetings mixed with lengthy sections of back-to-back bill votes. We’ve seen much of the same so far today.

The House passed a few interesting bills, including a revised bill to overhaul Kentucky State University — the state’s only public HBCU — and one that would let local school boards hire education service providers — groups that typically run charter schools, to varying levels of success — to oversee public schools.

The Senate has yet to act on HB 759.

10:15 a.m. Wednesday — Off to the races

Good morning, y’all! Welcome to the final day of Kentucky’s 2026 legislative session before the veto period! AKA one of the absolute busiest days in the entire legislative session. (And perfectly timed on April Fool’s Day.)

Reminder: They have until 11:59 p.m. tonight to pass anything they may need to override a Beshear veto of. They can still pass legislation during the final two days of session on April 14 and 15, but they wouldn’t be able to override Beshear if he says no.

The Senate just got started for the day, and the main thing we’re watching there is and has been HB 759 and its anti-trans teacher amendment. Last night, I talked with a source who said the bill and its amendment are dead, but I’ll still keep an eye on it just in case.

The Senate also needs to vote on House Bill 2, a sweeping Medicaid proposal. You can read about that bill here.

The House is slated to start at 11 a.m. I’m expecting some kind of JCPS-focused legislation to come out of that chamber today, including a bill that could shift power from the JCPS school board to its superintendent, change how many board members there are and where they represent, and create a financial advisory committee for the large district.

Oh, right, and we still haven’t seen a final written copy of the next two-year state budget, nor do we have any idea how the state wants to spend around $800 million in one-time spending.

6:25 p.m. Tuesday — Calling it an early night?

These last two days of session before the veto period typically include long days and even longer nights, but it looks like that might not be the case this time around.

The Senate adjourned for the day around 40 minutes ago, without touching HB 759 or its amendment again. (The House, meanwhile, is going on about hour four of being recessed.)

They’ll be back at 10 a.m. Wednesday. Remember: They have until 11:59 p.m. Wednesday night to pass anything remotely controversial to have a chance to override a likely Beshear veto during the final two days of session on April 14 and 15.

So, what could that mean for HB 759? They can’t touch it tonight, but if they want to pass the bill tomorrow, they’ll need to move it to the orders of the day, and then vote on it. That’s when the anti-trans teacher amendment would be withdrawn.

5 p.m. Tuesday — Bills, bills, bills

The House has been in recess for a bit now, and the Senate looks poised to join them shortly.

We’ve spent the last few hours powering through a ton of votes, including final passage for bills, agreeing with changes the other chamber made, and even a Senate override of a new Beshear veto on a bill protecting pesticide companies.

Bills on everything from child care access, to election tweaks, to the rights of protesters around ICE agents, have gotten votes this afternoon.

One thing that hasn’t: HB 759. Like I reported earlier, the bill was pulled from the consent calendar in the Senate shortly after noon. It hasn’t been assigned to the orders of the day, though, aka the spot it needs to be in order to get a full Senate vote. So, stay tuned on that.

Related: Anti-Trans Teacher Amendment Fails in Kentucky’s 2026 Legislative Session

Related: Gov. Andy Beshear, Silas House rally supporters at Kentucky Fairness Rally as anti-LGBTQ bills advance

3:20 p.m. Tuesday — Supreme Court “conversion therapy” ruling

Kentucky lawmakers undid a ban on “conversion therapy” for minors last legislative session, but they still had some reactions to Tuesday’s Supreme Court ruling to overturn similar bans in other states.

“Today, the Supreme Court of the United States has once again betrayed the LGBTQ+ Community, especially our vulnerable youth,” Rep. Lisa Willner, D-Louisville, said in a statement.

“As a licensed psychologist and the longtime sponsor of legislation to prohibit this discredited and deadly practice, I could not disagree more with this decision. 

“All young people in Kentucky deserve to be safe and to be their authentic selves.  As a mother and grandmother, I’m heartbroken. 

“State governments have a responsibility to protect children, not put them in harm’s way. Today’s SCOTUS decision prevents states from protecting against harmful practices that abuse children and can leave lasting scars,” she said. 

2:30 p.m. Tuesday — We’re just chillin’

Greetings from Frankfort!

We haven’t done a ton yet, mainly because the Senate has spent the last roughly two hours in caucus meetings — closed-door meetings with everyone in the party to get everyone in line, more or less.

Before they did that, though, the Senate pulled HB 759 from the consent calendar. This is a procedural step to allow the anti-trans teacher floor amendment to be withdrawn.

Meanwhile, the House has gotten through a lot, including giving a few bills around teacher misconduct final clearance. Those should head to Gov. Andy Beshear shortly.

11 a.m. Tuesday — What’s up with HB 759 and trans teachers?!

Lawmakers are set to gavel in at noon to formally kick off the day, but they’ve already had a pretty busy morning full of committee meetings to give some bills a quick vote.

One big thing I’ll be watching Tuesday: House Bill 759.

I wrote a whole post yesterday explaining exactly what is going on and fact-checking some other outlets who got it super wrong, but basically HB 759 has a last-second amendment to keep trans people from teaching. It is not expected to go anywhere, and the amendment’s sponsor is supposed to withdraw it before the bill itself gets a vote.

We don’t know exactly when that could happen, though, but I’ll be watching and I’ll update the live blog when it does.

Other resources to stay informed:

Promotional flyer for Kentuckiana Pride TurnAbout 2026 drag show at Play Louisville on Saturday March 28, doors at 6:30 PM and show at 7 PM

Kentuckiana Pride TurnAbout 2026 | Louisville Drag Show

(Louisville, KY March 25, 2026) It’s that time of year again for one of the best Drag Illusions shows you have ever witnessed. Grab those dollars and come out & join Kentuckiana Pride Foundation and Play Louisville on Saturday, March 28th at Play Louisville as we bring the community together for a fun-filled night of entertainment!

You certainly don’t want to miss the chance to see your favorite community groups showcased on stage. You never know who might appear…this event attracts individuals from all over, including city officials, educators, and many others. Additionally, there are whispers that a KPF Board member will be taking the stage, along with a committee member who has never performed before, for a special one-night-only performance that you definitely won’t want to miss.

All proceeds benefit Kentuckiana Pride Foundation. This event will be hosted by the one and only The Chocolate Thunder, Leah Halston.

Want Queer Kentucky’s latest in your inbox? Sign up for our newsletter here.

Play Louisville is located at 1101 E. Washington Street, Louisville, KY. Doors open at 6:30 PM & Show starts at 7:00 PM.

Related: Kentuckiana Pride Foundation to host Shine Gala, launch endowment fund for LGBTQ+ organizations

Related: From Appalachia to Western Kentucky, Drag Artists Are Building Queer Community Across the Commonwealth

KPF’s mission is to promote social, economic, and health equity of Kentuckiana’s sexual and gender minorities, we advocate pride, celebrate achievements, and educate leaders.

For more information on this event and other upcoming events, check us out on our website www.kypride.com and social media.

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